1951 - 1968, The Creative Act', 1957
Context: I want to clarify our understanding of the word 'art' – to be sure, without an attempt to a definition. What I have in mind is that art may be bad, good or indifferent, but, whatever adjective is used, we must call it art, and bad art is still art in the same way as a bad emotion is still an emotion.
Therefore, when I refer to 'art coefficient', it will be understood that I refer not only to great art, but I am trying to describe the subjective mechanism which produces art in a raw state – 'à l'état brute' – bad, good or indifferent.
“Ever since 1953, when Russell Kirk produced its intellectual coat of arms, conservatism has been "what Edmund Burke wrote." This is the equivalent of Arthur Danto’s institutional theory of art—art is whatever the art world says it is. But it’s also a cop-out. Instead of analyzing conservatism in an Aristotelian way, instead of asking how we use the term in real life, we just describe Burke. In the process, don’t we risk fleeing into what Tanenhaus calls an "alternative universe"? If conservatives are "glaringly disconnected from the realities now besetting America," as Tanenhaus says, why is the solution to be more like a man who wore a powdered wig? Liberals have problems of their own, but, to their credit, they don’t sit around debating whether Hillary Clinton or John Edwards is the "real Rousseauian."”
Conservatism Turned Upside Down: Sam Tanenhaus' Critique of Conservative Reason (2009)
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Mark Riebling 39
American writer 1963Related quotes
Conversation at a dinner in 10 Downing Street (24 September 1791), quoted in George Pellew, The Life and Correspondence of the Right Hon. Henry Addington, First Viscount Sidmouth, Volume I (London: John Murray, 1847), p. 72.
Richard T. Ely, Socialism : an examination of its nature, its strength and its weakness, with suggestions for social reform http://archive.org/details/socialismanexam02goog (1894)
As quoted in: Charles Austin Beard and Mary Ritter Beard, basic history of the United States http://books.google.gr/books?id=vaQsAAAAMAAJ&q=A, Doubleday, Doran & company, 1944, p. 395.
(1990) reported in Associated Press (July 7, 1995) "Bob Ross, Painting Instructor to Millions, Dead at 52".
"The Triumph of Obama’s Long Game" in New York magazine (21 July 2017) http://nymag.com/daily/intelligencer/2017/07/the-triumph-of-obamas-long-game.html
Context: Conservatism — from Burke and Hume to Hayek and Oakeshott — has always been, at its core, a critique of ideology in favor of reality. The world is as it is, the conservative argues. Any attempt to drastically overhaul it, to impose a utopian vision onto a messy, evolving human landscape will not just fail, it will likely make things worse. To pretend that the present exists for no good reason — and can be repealed or transformed in an instant — is a formula for ruin. The leftist vision of perfect “social justice” is therefore as illusory and as pernicious as the reactionary’s dream of restoring a mythical past. And the great virtue of America’s deeply conservative Constitution is that it throws so many obstacles in the way of radical, ideological change — to the left or right — that it limits the harm that humans can do to themselves in moments of passion or certainty or in search of ideological perfection.
1860s, Cooper Union speech (1860)
Context: You say you are conservative — eminently conservative — while we are revolutionary, destructive, or something of the sort. What is conservatism? Is it not adherence to the old and tried, against the new and untried? We stick to, contend for, the identical old policy on the point in controversy which was adopted by "our fathers who framed the Government under which we live;" while you with one accord reject, and scout, and spit upon that old policy, and insist upon substituting something new. True, you disagree among yourselves as to what that substitute shall be. You are divided on new propositions and plans, but you are unanimous in rejecting and denouncing the old policy of the fathers.
“An Unread Book”, p. 20
The Third Book of Criticism (1969)
In a letter to Rudolph Steiner, c. 1921-23; as quoted in Abstract Painting, Michel Seuphor, Dell Publishing Co., 1964, p. 85
1920's
De Abaitua interview (1998)