The Almost Perfect State (1921)
Context: Of middle age the best that can be said is that a middle aged person has likely learned how to have a little fun in spite of his troubles.
It is to old age that we look for reimbursement, the most of us. And most of us look in vain. For the most of us have been wrenched and racked, in one way or another, until old age is the most trying time of all.
In the Almost Perfect State every person shall have at least ten years before he dies of easy, carefree, happy living... things will be so arranged economically that this will be possible for each individual.
“The Greek “point of view” in both art and chronology has little in common with ours but was much like that of the Middle Ages.”
Source: 1960s, The Gutenberg Galaxy (1962), p. 64
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Marshall McLuhan 416
Canadian educator, philosopher, and scholar-- a professor … 1911–1980Related quotes
"Introduction" of Four Screenplays (1960). <!-- Simon & Schuster -->
Context: When we experience a film, we consciously prime ourselves for illusion. Putting aside will and intellect, we make way for it in our imagination. The sequence of pictures plays directly on our feelings. Music works in the same fashion; I would say that there is no art form that has so much in common with film as music. Both affect our emotions directly, not via the intellect. And film is mainly rhythm; it is inhalation and exhalation in continuous sequence. Ever since childhood, music has been my great source of recreation and stimulation, and I often experience a film or play musically.
Section 2.5 <!-- p. 102 -->
The Crosswicks Journal, A Circle of Quiet (1972)
Context: It isn't always the middle-aged who refuse to listen, who will not even try to understand another point of view. One boy would not get it through his head that for all adults God is not an old man in a white beard sitting on a cloud. As far as this boy was concerned, this old gentleman was the adult's god, and therefore he did not believe in God.
Source: The Dialectic of Sex (1970), Chapter Four
Introduction
The Common Background of Greek and Hebrew Civilizations (1965 [1962])
Small Houses: Their Economic Design and Construction (1922)
Quote of Dubuffet on 'Art brut', in 'Art Brut Preferred to the Cultural Arts' (1949); (trans. Joachim Neugroschel), in Mildred Glimcher, Jean Dubuffet: Towards an Alternative Reality, New York: Abbeville Press, 1987, p. 104
1940's
The Human Origin of Morals http://www.positiveatheism.org/hist/mccabe02.htm (1926), p. 59.
AIKMAN, Duncan, New York Times Magazine, February 19, 1933, p. 3 http://query.nytimes.com/gst/abstract.html?res=9A02E7DA1539E033A2575AC1A9649C946294D6CF&nytmobile=0&legacy=true