
Of course, it won't win 'em all, but it wins some of the time.
1990s, Copyleft: Pragmatic Idealism (1998)
1990s, Copyleft: Pragmatic Idealism (1998)
Of course, it won't win 'em all, but it wins some of the time.
1990s, Copyleft: Pragmatic Idealism (1998)
1990s, Copyleft: Pragmatic Idealism (1998)
OSCON 2002
Context: Here's a simple copyright lesson: Law regulates copies. What's that mean? Well, before the Internet, think of this as a world of all possible uses of a copyrighted work. Most of them are unregulated. Talking about fair use, this is not fair use; this is unregulated use. To read is not a fair use; it's an unregulated use. To give it to someone is not a fair use; it's unregulated. To sell it, to sleep on top of it, to do any of these things with this text is unregulated. Now, in the center of this unregulated use, there is a small bit of stuff regulated by the copyright law; for example, publishing the book — that's regulated. And then within this small range of things regulated by copyright law, there's this tiny band before the Internet of stuff we call fair use: Uses that otherwise would be regulated but that the law says you can engage in without the permission of anybody else. For example, quoting a text in another text — that's a copy, but it's a still fair use. That means the world was divided into three camps, not two: Unregulated uses, regulated uses that were fair use, and the quintessential copyright world. Three categories.
Enter the Internet. Every act is a copy, which means all of these unregulated uses disappear. Presumptively, everything you do on your machine on the network is a regulated use. And now it forces us into this tiny little category of arguing about, "What about the fair uses? What about the fair uses?" I will say the word: To hell with the fair uses. What about the unregulated uses we had of culture before this massive expansion of control?
“Free Software in Ethics and Practice” talk at CMC MSU, Moscow, Russia, (3 March 2008) Text http://phobos.cs.msu.su/FTP/Stallman/rms-cmc.txt · ogg file http://sbos.in/RMS_Lection.ogg · YouTube http://youtube.com/watch?v=GrJpXJY4Oow
2000s
Context: Isn't it ironic that the proprietary software developers call us communists? We are the ones who have provided for a free market, where they allow only monopoly. … if the users chooses this proprietary software package, he then falls into this monopoly for support … the only way to escape from monopoly is to escape from proprietary software, and that is what the free software movement is all about. We want you to escape and our work is to help you escape. We hope you will escape to the free world. The free world is the new continent in cyberspace that we have built so we can live here in freedom. It's impossible to live in freedom in the old world of cyberspace, where every program has its feudal lord that bullies and mistreats the users. So, to live in freedom we have to build a new continent. Because this is a virtual continent, it has room for everyone, and there are no immigration restrictions. And because there were never indigenous peoples in cyberspace, there is also no issue of taking away their land. So everyone is welcome in the free world, come to the free world, live with us in freedom. The free software movement aims for the liberation of cyberspace and everyone in it.
Chen Ming-tong (2018) cited in " Taiwan's China policy agency hoping to work with Beijing counterpart http://focustaiwan.tw/news/acs/201803190006.aspx" on Focus Taiwan, 19 March 2018.
2000s, What is free software? (2006)
OSCON 2002
Context: Here's a simple copyright lesson: Law regulates copies. What's that mean? Well, before the Internet, think of this as a world of all possible uses of a copyrighted work. Most of them are unregulated. Talking about fair use, this is not fair use; this is unregulated use. To read is not a fair use; it's an unregulated use. To give it to someone is not a fair use; it's unregulated. To sell it, to sleep on top of it, to do any of these things with this text is unregulated. Now, in the center of this unregulated use, there is a small bit of stuff regulated by the copyright law; for example, publishing the book — that's regulated. And then within this small range of things regulated by copyright law, there's this tiny band before the Internet of stuff we call fair use: Uses that otherwise would be regulated but that the law says you can engage in without the permission of anybody else. For example, quoting a text in another text — that's a copy, but it's a still fair use. That means the world was divided into three camps, not two: Unregulated uses, regulated uses that were fair use, and the quintessential copyright world. Three categories.
Enter the Internet. Every act is a copy, which means all of these unregulated uses disappear. Presumptively, everything you do on your machine on the network is a regulated use. And now it forces us into this tiny little category of arguing about, "What about the fair uses? What about the fair uses?" I will say the word: To hell with the fair uses. What about the unregulated uses we had of culture before this massive expansion of control?