“Perfect aristocratic tone, Degrandpre thought: insult and menace in a single phrase.”
Source: Bios (1999), Chapter 11 (p. 106)
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Robert Charles Wilson 134
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Discussing rival soprano Renata Tebaldi, in a television interview with Norman Ross, Chicago (17 November 1957)

Rather, "for the performer, the Urlinie provides, first of all, a sense of direction. It serves a somewhat equivalent function to that which a road map serves for a mountain climber.
Das Meisterwerk I, p. 196. Translated by Kalib, vol. 2, p. 147. Quoted in Burkhart, Charles (1983). "Schenker's Theory of Levels and Musical Performance", Aspects of Schenkerian Theory, Beach David, ed. New Haven: Yale University Press.

“And somewhere in heaven, Versace sheds a single, perfect tear.”
Source: Midnight Alley

Jean-Philippe Rameau (1726). Nouveau système de musique théorique, p. 59. Paris.

Source: 1960s, The Gutenberg Galaxy (1962), p. 154