
as quoted in Letters of the great artists – from Ghiberti to Gainsborough, Richard Friedenthal, Thames and Hudson, London, 1963, p . 232
1908 - 1920, On Mystery and Creation, Paris 1913
Memorabilia IV.8.8
Xenophon
as quoted in Letters of the great artists – from Ghiberti to Gainsborough, Richard Friedenthal, Thames and Hudson, London, 1963, p . 232
1908 - 1920, On Mystery and Creation, Paris 1913
Letter to Archbishop J J Degenhardt, printed on rear cover of Eugen Drewermann, Worum es eigentlich geht. Protokoll einer Verurteilung (1992)
1880s, 1880, Letter to Theo (Cuesmes, July 1880)
Liquidation (2003)
Context: Thereafter, the scenes had succeeded one another, turn and turn about, in the drama as in reality, to the point that, in the end, Kingbitter did not know what to admire more: the author's-his dead friend's-crystal-clear foresight or his own, so to say, remorseful determination to identify with his prescribed role and stick to the story.
Nowadays, though, with the lapse of nine years, Kingbitter was interested in something else. His story had reached an end, but he himself was still here, posing a problem for which he more and more put off finding a solution. He would either have to carry on his story, which had proved impossible, or else start a new story, which had proved equally impossible. Kingbitter undoubtedly could see solutions to hand, both better ones and worse; indeed, if he reflected more deeply, solutions were all he could see, rather than lives.
As quoted in Philosophy on the Go (2007) by Joey Green, p. 222
General sources
The R. Crumb Handbook by Robert Crumb and Peter Poplaski (2005), p. 23
Quote, I am not torchbearer of Indian classical music: Zakir Hussain
Source: Brideshead Revisited: The Sacred and Profane Memories of Captain Charles Ryder