“What all these people are doing is not aggressive; they are inventing new possibilities of pleasure with strange parts of their body — through the eroticization of the body. I think it's … a creative enterprise, which has as one of its main features what I call the desexualization of pleasure.”
In reference to Sadism and Masochism, as quoted in Who's Who in Contemporary Gay & Lesbian History: From World War II to the Present Day (2001) by Robert Aldrich and Gary Wotherspoon
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Michel Foucault 128
French philosopher 1926–1984Related quotes
Kathy Acker: Where does she get off?
Context: I think writing is basically about time and rhythm. Like with jazz. You have your basic melody and then you just riff off of it. And the riffs are about timing. And about sex.
Writing for me is about my freedom. When I was a kid, my parents were like monsters to me, and the world extended from them. They were horrible. And I was this good little girl — I didn't have the guts to oppose them. They told me what to do and how to be. So the only time I could have any freedom or joy was when I was alone in my room. Writing is what I did when I was alone with no one watching me or telling me what to do. I could do whatever I wanted. So writing was really associated with body pleasure — it was the same thing. It was like the only thing I had.

Source: A Philosophical Enquiry into the Origin of our Ideas of the Sublime and Beautiful

“I know that many artists feel that they are frauds - that's part of the pleasure of creativity.”
Cronenberg: An intellectual with ominous powers http://www.nytimes.com/2006/05/19/arts/19iht-dupont.html (May 19, 2006)

It's a Business Doing Pleasure with You
Song lyrics, Southern Voice (2009)

Ur-Fascism (1995)
Context: Fascism became an all-purpose term because one can eliminate from a fascist regime one or more features, and it will still be recognizable as fascist. Take away imperialism from fascism and you still have Franco and Salazar. Take away colonialism and you still have the Balkan fascism of the Ustashes. Add to the Italian fascism a radical anti-capitalism (which never much fascinated Mussolini) and you have Ezra Pound. Add a cult of Celtic mythology and the Grail mysticism (completely alien to official fascism) and you have one of the most respected fascist gurus, Julius Evola... But in spite of this fuzziness, I think it is possible to outline a list of features that are typical of what I would like to call Ur-Fascism, or Eternal Fascism.

Source: Seth, Dreams & Projections of Consciousness, (1986), p. 316-317, quoting from Session 261

Plato, Republic, T. Griffith, trans. (2000), 587a
Plato, Republic