“It [the first work in her show 'Wind'] is dedicated to Jasper Johns – I named it 'Homage à Jasper Johns'. As he basically did these 'flags', I mean he is so famous because of 'flags', and I was thinking of a flag too, and so I did this, so I was thinking of him because he's so incredibly famous and I'm not.”

— Isa Genzken

both laugh
2001 - 2010, Out to Lunch with Isa Genzken' (2009)

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Isa Genzken 33

German sculptor 1948

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“The thing that struck me most was the way he stuck to the motif [in the 'Flag' and 'Target' paintings by Jasper Johns ]…. the idea of stripes – the rhythm and the interval – the idea of repetition. I began to think a lot about repetition.”

Frank Stella (1936) American artist

quote, 1960's
Quotes, 1960 - 1970
Source: The New York school – the painters & sculptors of the fifties, Irving Sandler, Harper & Row, Publishers, 1978, pp. 215-216

“He [ Jasper Johns ] and I were each other's first serious critics. Actually he was the first painter I ever shared ideas with, or had discussions with about painting. No, not the first. Cy Twombly was the first. But Cy and I were not critical. I did my work and he did his. Cy's direction was always so personal that you could only discuss it after the fact. But Jasper and I literally traded ideas. He would say, 'I've got a terrific idea for you' and then I'd have to find one for him.”

Robert Rauschenberg (1925–2008) American artist

remark on his cooperative relation with Jasper Johns, to his biographer Calvin Tomkins
As quoted in Lives of the great twentieth century artists, Edward Lucie-Smith, London 1986, p. 31
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“Well, this man [the T. V. interviewer of Jasper Johns, ] wanted to know why I stopped painting [the so-called famous 'Silence of Duchamp'].... and he had said [it was] because of dealers and money and various reasons. Largely moralistic reasons.... But you know; it wasn’t like that. It’s like you break a leg; you don't mean to do it.”

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Quote in: Jasper Johns, Writings, sketchbook Notes, Interviews, ed. Kirk Varnedoe, Moma, New York, 1996; p. 151
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“My primary concern is visual form. The visual meaning may be discovered afterwards – by those who look for it. Two meanings have been ascribed to these American Flag paintings of mine. One position is: 'He's painted a flag so you don't have to think of it as a flag but only as a painting'. The other is: 'You are enabled by the way he has painted it to see it as a flag and not as a painting.”

Jasper Johns (1930) American artist

Actually both positions are implicit in the paintings, so you don't have to choose.
The Insiders, Rejection en Rediscovery of Man in the Arts of our Time, Selden Rodman, Baton Rouge, Louisiana State University Press, 1960, Chapter 6.
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“Once, I made a kind of sculpture of a flag in bronze: it was an edition of three, I think. One of them was given on some occasion to President Kennedy. I became very upset that this was happening. It was given on Flag Day! (he laughs). It seemed to me to be such a terrible thing to happen. I complained bitterly to my very good friend John Cage, [the composer]. He said: "Don't let it worry you. Just consider it as a pun on your work."”

Jasper Johns (1930) American artist

he laughs
Jasper Johns Interviewed/ Jasper Johns interviewed Part II, Peter Fuller, Art Montly, London, August/September 1978
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Isa Genzken 33

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