Harold Wilson, Memoirs 1916-1964: The Making of a Prime Minister (Weidenfeld & Nicolson and Michael Joseph, London, 1986), p. 128.
Response to John Strachey who had to ask permission to publish a collection of poems while a Minister.
Attributed
Kurlansky, Mark. 1992. A Continent of Islands: Searching for the Caribbean Destiny. Addison-Wesley. ISBN 0-201-52396-5, p. 121.
As Madvillain, "ALL CAPS", Madvillainy (2004)
Sourced Lines
"Doubletake", from The Cure at Troy (1990)
Poetry Quotes, The Cure at Troy
Context: History says don't hope
On this side of the grave.
But then, once in a lifetime
The longed for tidal wave
Of justice can rise up
And hope and history rhyme.
So hope for a great sea-change
on the far side of revenge.
Believe that a further shore
is reachable from here.
Believe in miracles
and cures and healing wells.
The Osbournes
“I don't mind your thinking slowly; I mind your publishing faster than you think.”
Ich habe nichts dagegen wenn Sie langsam denken, Herr Doktor, aber ich babe etwas dagegen wenn Sie rascher publizieren als denken.
As quoted in The Harvest of a Quiet Eye : A Selection of Scientific Quotations (1977) by Alan Lindsay Mackay, p. 117
Interview with Publishers Weekly (19 April 1993)
Penguins and Golden Calves (2003)
Context: A Wrinkle in Time was almost never published. You can't name a major publisher who didn't reject it. And there were many reasons. One was that it was supposedly too hard for children. Well, my children were 7, 10, and 12 while I was writing it. I'd read to them at night what I'd written during the day, and they'd say, "Ooh, mother, go back to the typewriter!" A Wrinkle in Time had a female protagonist in a science fiction book, and that wasn't done. And it dealt with evil and things that you don't find, or didn't at that time, in children's books. When we'd run through forty-odd publishers, my agent sent it back. We gave up. Then my mother was visiting for Christmas, and I gave her a tea party for some of her old friends. One of them happened to belong to a small writing group run by John Farrar, of Farrar, Straus & Giroux, which at that time did not have a juvenile list. She insisted that I meet John any how, and I went down with my battered manuscript. John had read my first novel and liked it, and read this book and loved it. That's how it happened.
