from Baziote's text for a symposium in 1954; as quoted in William Baziotes – paintings and drawings, ed. Michael Preble, Peggy Guggenheim Collection, Venice, 2004, p. 18
1950s
“For the artist, fulfillment of self consists not in marching in the ranks of the liberators but in being entered in the roll of the Masters. The artist tends to find himself in the position of a deserter from his social group — or, at best, one who collaborates, with secret reservations.”
Source: Art & Other Serious Matters, (1985), p. 271, "Being Outside"
Help us to complete the source, original and additional information
Harold Rosenberg 29
American writer and art critic 1906–1978Related quotes
Source: 1956 - 1967, Art-as-Art Dogma' part II, (1964), pp. 156-157

Sucesivos Escolios a un Texto Implícito (1992)

"Every Time We Say Goodbye" in Sight and Sound [London] ( June 1991)
Context: What is an artist? A provincial who finds himself somewhere between a physical reality and a metaphysical one... It’s this in-between that I’m calling a province, this frontier country between the tangible world and the intangible one — which is really the realm of the artist.

“[on w:Diego Rivera:].. the one artist on this continent who is in the class of the old masters.”
Source: Brooks, Van Wyck. John Sloan: a Painter's Life. New York: E.P. Dutton & Co, 1955, p. 170

Quote in the late 1960s, as cited in Asger Jorn (2002) by Arken Museum of Modern Art, p. 28
1959 - 1973, Various sources
Source: Obedience to Authority : An Experimental View (1974), p. 121
Context: When an individual wishes to stand in opposition to authority, he does best to find support for his position from others in his group. The mutual support provided by men for each other is the strongest bulwark we have against the excesses of authority. (Not that the group is always on the right side of the issue. Lynch mobs and groups of predatory hoodlums remind us that groups may be vicious in the influence they exert.)
“The artist is obliged to invent the self who will paint his pictures.”
Source: Art & Other Serious Matters, (1985), p. 191, "Saul Steinberg"