
"Same in Blues"
Montage of a Dream Deferred (1951)
"Same in Blues"
Montage of a Dream Deferred (1951)
Variant: A certain amount
of nothing
in a dream deferred.
"Same in Blues"
Montage of a Dream Deferred (1951)
“A dream deferred is a dream denied.”
Source: Dash & Lily's Book of Dares
“Dream within a dream,
Our dream deferred.
Good morning, daddy!
Ain’t you heard?”
"Island"
Montage of a Dream Deferred (1951)
Variant: What happens
to a dream deferred?
Daddy, ain’t you heard?
“There is a certain amount of sham in . There is a certain amount of theatre.”
De Abaitua interview (1998)
Context: There is a certain amount of sham in. There is a certain amount of theatre. It’s as loosely knit as that. We’re sort of coming out of the closet a bit more over the next couple of years. We’re going to be bringing out – manifesto’s too pushy a word – if it’s a theatre of marvels, we’re bringing out a theatre programme in the next couple of years. We’re working on it at the moment – our unified field theory of spookiness where we try to explain everything from language, consciousness, grey aliens to Rosicrucianism or whatever. It is a grand, mad theory which I’m working my best on at the moment to make it rational. It is an anti-rationalistic theory but I’m trying to couch it in rational terms so that it is not as insular as a lot of magic stuff.
Martí : Thoughts/Pensamientos (1994)
Context: There are men who live contented though they live without decorum. Others suffer as if in agony when they see around them people living without decorum. There must be a certain amount of decorum in the world, just as there must be a certain amount of light. When there are many men without decorum, there are always others who themselves possess the decorum of many men. These are the ones who rebel with terrible strength against those who rob nations of their liberty, which is to rob men of their decorum. Embodied in those men are thousands of men, a whole people, human dignity.
De Abaitua interview (1998)
Context: The origin of money is something to do with representational thinking. Representational thinking is the real leap, where somebody says ‘hey I can draw this shape on the cave wall and it is, in some way, the bison we saw at the meadow. These lines are the bison. That of course lead to language – this squiggle is, of course, a tree, or something. Is the tree. Money is code for the whole of life – you can bind in everything that is contained within life for money, money is a certain amount of sex, a certain amount of shelter, a certain amount of sustenance. … Money is the code for the entire world. Money is the world, the world in the sense I was talking about earlier, our abstract ideas about the world. Money is a perfect symbol for all that, and if you don’t believe in it, and you set a match to it, it’s just firewood – it doesn’t mean anything anymore.
“What happens to a dream deferred? Does it dry up
like a raisin in the sun?”
"Harlem"
Montage of a Dream Deferred (1951)
Context: What happens to a dream deferred? Does it dry up
like a raisin in the sun?
Or fester like a sore —
And then run?
Does it stink like rotten meat?
Or crust and sugar over —
like a syrupy sweet? Maybe it just sags
like a heavy load. Or does it explode?
“Good evening, daddy
I know you’ve heard
The boogie-woogie rumble
Of a dream deferred”
"Boogie: 1 a.m."
Montage of a Dream Deferred (1951)
“Why should it be my loneliness,
Why should it be my song,
Why should it be my dream
deferred
overlong?”
"Tell Me"
Montage of a Dream Deferred (1951)