“On sound volume and arrangement: "No, high volume levels cause less harm than the awkward arrangement of sounds. Assuming that the sound is a wave: if this wave is not balanced by itself, it causes great damage when it enters the ear. I have tested this on a few people in my studio. I made them listen to two tracks. The first track was considered too loud, whereas the second track was actually louder but more balanced".”

— Vangelis

1979

Adopted from Wikiquote. Last update June 3, 2021. History

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Vangelis 37

Greek composer of electronic, progressive, ambient, jazz, p… 1943

Muriel Rukeyser (1913–1980) poet and political activist

Source: The Life of Poetry (1949), p. 150
Context: The continuity of film, in which the writer deals with a track of images moving at a given rate of speed, and a separate sound-track which is joined arbitrarily to the image-track, is closer to the continuity of poetry than anything else in art. But the heaviness of the collective work on a commercial film, the repressive codes and sanctions, unspoken and spoken, the company-town feeling raised to its highest, richest, most obsessive-compulsive level in Hollywood, puts the process at the end of any creative spectrum farthest from the making of a poem.
At the same time, almost anything that can be said to make the difficulties of poetry dissolve for the reader, or even to make the reader want to deal with those "difficulties," can be said in terms of film. These images are like the action sequences of a well-made movie — a good thriller will use the excitement of timing, of action let in from several approaches, of crisis prepared for emotionally and intellectually, so that you can look back and recognize the way of its arrival; or, better, feel it coming until the moment of proof arrives, meeting your memory and your recognition.
The cutting of films is a parable in the motion of any art that lives in time, as well as a parable in the ethics of communication.

“When played at the right sound level, which is quite high and exciting, the tones in this music will cause your ears to act as neurophonic instruments that emit sounds that will seem to be issuing directly from your head.”

Maryanne Amacher (1938–2009) Composer and installation artist

Amacher, 1999, cited in: Franziska Schroeder (2006). Bodily instruments and instrumental bodies. Vol. 25. p. 74:
Description of how "ears act as instruments and emit sounds as well as receive them (Amacher, 1999)... [and] the way these 'otoacoustic emissions' might function."

“They say, 'you mean it's just sounds?' thinking that for something to just be a sound is to be useless, whereas I love sounds just as they are, and I have no need for them to be anything more than what they are. I don't want them to be psychological. I don't want a sound to pretend that it's a bucket or that it's president or that it's in love with another sound. I just want it to be a sound.”

John Cage (1912–1992) American avant-garde composer

Interview in documentary "Listen" (1992)
1990s

“We have too many high sounding words, and too few actions that correspond with them.”

Abigail Adams (1744–1818) 2nd First Lady of the United States (1797–1801)

Letter to John Adams (1774)

“On music: "Yes, the frequencies that I use are very important. The music has a real message inside. I must be very careful with sound. The sound is my life. My ear is completely aware. I spontaneously listen to all the sounds around me. For example, a frequency of approximately 30 cycles just passes, there. If we slow down sound it can cause sickness, and if we amplify it, it could destroy a wall."”

Vangelis (1943) Greek composer of electronic, progressive, ambient, jazz, pop rock, and orchestral music

http://www.nemostudios.co.uk/vangelis/interviews/covermag/interviews.htm
An interview with Vangelis
Dali De Clair
June 1979
Rock et Folk
France
1979

“If you have a portable surveillance and tracking device, please turn it off. They have already tracked you in here, they already know you are listening to me; so, there is no need for you to keep it on. And by the way, these portable tracking devices emit signals for tracking purposes even when they are apparently switched off; the only way to stop them is to take out all the batteries. And if they want to listen, they don't have to do it through your portable surveillance device, I expect recordings will be posted they can listen to those, and they are even welcome to come and attend. So there is absolutely no reason why your portable tracking and surveillance device has to be on.”

Richard Stallman (1953) American software freedom activist, short story writer and computer programmer, founder of the GNU project

After a mobile phone rang at his talk at Moscow State University (3 March 2008)
2000s

“People say I'm the life of the party
'Cause I tell a joke or two.
Although I might be laughing loud and hearty,
Deep inside I'm blue.

So take a
good look at my face.
You know my smile looks out of place.
If you look closer, it's easy to trace
The tracks of my tears.”

Smokey Robinson (1940) American R&B singer-songwriter and record producer

The Tracks of My Tears, written by Smokey Robinson, Marvin Tarlin, and Pete Moore (1965)
Song lyrics, With The Miracles

“We are putting in a lot of extra work into the tracks, and we are looking at least 16-17 tracks in the album. So instead of having these 12 track albums with two remixes it’s going to be like a total of maybe 19-20, so it’s going to be interesting to listen to.”

Basshunter Calling Time

Your EDM interview (17 March 2013) https://www.youredm.com/2013/03/17/your-edm-interview-basshunter/
Calling Time

“I'm beautiful in my way 'cause god makes no mistakes.
I'm on the right track baby,
I was born this way.
Don't hide yourself in regret,
Just love yourself and you're set.
I'm on the right track baby, I was born this way.”

Lady Gaga (1986) American singer, songwriter, and actress

Born This Way, written by Lady Gaga and Jeppe Laursen
Song lyrics, Born This Way (2011)

“Clary stopped dead in her tracks. "Simon?"

"Oh, God," said Jace, sounding resigned. "And here I'd actually hoped I'd got hold of something interesting." -Clary and Jace pg. 114”

Cassandra Clare book City of Bones

Source: City of Bones

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Vangelis 37

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