“I knew that I must paint not what I saw, but only what was in me, in my soul. Figuratively speaking, it was like this: In my heart I felt as if there were an organ, which I had to sound. And nature, which I saw before me, only prompted me. And that was a key that unlocked this organ and made it sound... They are songs without words.”

— Alexej von Jawlensky

from: 'Lebenserinnerungen', 1938
Source: 1936 - 1941, Life Memories' (1938), p. 186

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "I knew that I must paint not what I saw, but only what was in me, in my soul. Figuratively speaking, it was like this: …" by Alexej von Jawlensky?

Alexej von Jawlensky 23

Russian painter 1864–1941

Related quotes

“I now began to search for a new path in art [from 1914, with the outbreak of World War 1. ]. It was a major task. I understood that I did not have to paint what I saw, not even what I felt, but only that which lived within me, in my soul. To put it in symbolic terms, it is like this: I felt within myself, within my breast, the keyboard of an organ and I had to make it resonate. And the nature that was in front of me served me only as a prompter. And that was a key that unlocked this organ and made it resonate. In the beginning it was very difficult. But little by little, it became easy for me to use colours and forms to find what was within my soul.”

Alexej von Jawlensky (1864–1941) Russian painter

In his letter, 12 June, 1938 to P. Willibrord Verkade, as quoted in Alexej von Jawlensky, der Maler und Mensch, , Clemens Weiler; Wiesbaden 1955, pp. 39 ff
1936 - 1941

“I was encouraged to look around me and to paint what I saw. I painted my story, and it had a lot of angles to it. I was trying to explain how I saw life as a black person living in America, and I put things together that were not acceptable. A lot of people did not want these kind of paintings representing America in any sense, but I wanted to tell my story and what I saw…”

Faith Ringgold (1930) American artist

On the Civil Rights Movement puncturing the image of the American Dream in https://www.theartnewspaper.com/interview/faith-ringgold-discusses-civil-rights-and-children-s-books-ahead-of-solo-serpentine-gallery-show in The Art Newspaper (2019 Jun 5)

“Then our Lord opened my spiritual eye and shewed me my soul in midst of my heart. I saw the Soul so large as it were an endless world, and as it were a blissful kingdom. And by the conditions that I saw therein I understood that it is a worshipful City.”

Julian of Norwich (1342–1416) English theologian and anchoress

The Sixteenth Revelation, Chapter 67
Context: Then our Lord opened my spiritual eye and shewed me my soul in midst of my heart. I saw the Soul so large as it were an endless world, and as it were a blissful kingdom. And by the conditions that I saw therein I understood that it is a worshipful City. In the midst of that City sitteth our Lord Jesus, God and Man, a fair Person of large stature, highest Bishop, most majestic King, most worshipful Lord; and I saw Him clad majestically. And worshipfully He sitteth in the Soul, even-right in peace and rest. And the Godhead ruleth and sustaineth heaven and earth and all that is, — sovereign Might, sovereign Wisdom, and sovereign Goodness, — the place that Jesus taketh in our Soul He shall never remove it, without end, as to my sight: for in us is His homliest home and His endless dwelling. And in this He shewed the satisfying that He hath of the making of Man’s Soul. For as well as the Father might make a creature, and as well as the Son could make a creature, so well would the Holy Ghost that Man’s Soul were made: and so it was done. And therefore the blessed Trinity enjoyeth without end in the making of Man’s Soul: for He saw from without beginning what should please Him without end.

“In Calcutta, when the organizers saw me, they insisted that I first sing in a private sitting a night before my concert was scheduled. I couldn't understand why they couldn't wait till the next day. Nisar Husain Khan Saheb took me aside and explained that the organizers had doubts about what I, a frail girl at that time, was capable of! I sang and was greatly appreciated. In fact, I was awarded a gold medal by the Maharaja of Tripura. At the same concert, I kept remembering my mother who was no more, and just then felt a hand on my shoulder. When I turned around, I saw K. L. Saigal, who said, 'bahut surila' (very melodious). I was happy but then very upset that a strange man should touch me!”

Gangubai Hangal (1913–2009) Indian singer

On her actual technique of training, in "On Gangubai Hangal by Sabina Sehgal Computer Science & Engineering - University of Washington".

“I painted these 'Variations' [of landscapes] for some years and then I found it necessary to find form for the face, because I had come to understand that great art can only be painted with religious feeling. And that, I could only bring to the human face. I understood that the artist must express through his art, in forms and colours, the divine in him. Therefore a work of art is God made visible and art is 'a longing for God'.
I painted 'faces' for many years. I sat in my studio and painted, and I did not need nature to prompt me. It was enough for me to immerse myself in myself, to pray and prepare my soul to attain a religious state..”

Alexej von Jawlensky (1864–1941) Russian painter

In a letter to the Dutch Fauvist painter Father Verkade, 12 June 1938; as quoted in Alexej Jawlensky, Jürgen Schultze; M. DuMont Schauberg, Cologne 1970, p. 39
1936 - 1941

“Seated one day at the organ,
I was weary and ill at ease,
And my fingers wandered idly
Over the noisy keys. I do not know what I was playing,
Or what I was dreaming then;
But I struck one chord of music,
Like the sound of a great Amen.”

Adelaide Anne Procter (1825–1864) English poet and songwriter

"A Lost Chord".
Legends and Lyrics: Second Series (1861)

“Orthon ceased speaking and for a moment I sat with bowed head thinking of his words. Slowly, I became aware of a warmth that seemed to be entering into my spirit. Looking up, I saw from the faces of those around me that what I felt was a benediction that flowed from all of them toward me.”

George Adamski (1891–1965) American ufologist

Inside the Spaceships

“I wrote what I did because as a woman, as a mother I was oppressed and broken-hearted, with the sorrows and injustice I saw, because as a Christian I felt the dishonor to Christianity — because as a lover of my country I trembled at the coming day of wrath.
It is no merit in the sorrowful that they weep, or to the oppressed and smothering that they gasp and struggle, not to me, that I must speak for the oppressed — who cannot speak for themselves.”

Harriet Beecher Stowe (1811–1896) Abolitionist, author

On Uncle Tom's Cabin in a letter to Lord Denman (20 January 1853).

“In your eyes I saw my destiny today is like I wanted you made me love, taught me to be happy.”

MC Daleste (1992–2013) Brazilian funk and rap musician

In the song Em Teu Olhar http://www.vagalume.com.br/mc-daleste/em-teu-olhar.html

“I wanted to burn down the 'École de Beaux Arts' with my cobalts and vermilions and I wanted to express my feelings with my brushes without troubling what painting was like before me... Life and me, me and life.”

Maurice de Vlaminck (1876–1958) French painter

Quote of De Vlaminck; as cited in Picasso, Matisse and Modernism in Paris 1900-1910, Sue Roe; Penguin Press, 2015; quoted in 'Becoming an Artist' on Widewalls https://www.widewalls.ch/artist/maurice-de-vlaminck/
Quotes undated

Help us to complete the source, original and additional information

Alexej von Jawlensky 23

Related quotes

Related topics