Source: Doctor Faustus
Solitude
Poetry quotes
Source: Poems of Passion
Context: Laugh, and the world laughs with you;
Weep, and you weep alone.
For this brave old earth must borrow its mirth,
But has trouble enough of its own.
Sing, and the hills will answer;
Sigh, it is lost on the air.
The echoes bound to a joyful sound,
But shrink from voicing care.
"Lower Manhattan Survival Tactics" in The Village Voice (1983)
“Excessive sorrow laughs. Excessive joy weeps.”
“Man is the animal who weeps and laughs — and writes.”
If the first Prometheus brought fire from heaven in a fennel-stalk, the last will take it back — in a book.
The Pleasures of Literature (1938), p. 17
The World's Age, reported in Bartlett's Familiar Quotations, 10th ed. (1919).
Attributed
“816. Women laugh when they can and weepe when they will.”
Jacula Prudentum (1651)
“I hasten to laugh at everything, for fear of being obliged to weep.”
Je me presse de rire de tout, de peur d'être obligé d'en pleurer.
Act I, scene ii
Variant translations:
I quickly laugh at everything, for fear of having to cry.
I force myself to laugh at everything, for fear of having to cry.
Le Barbier de Séville (1773)
Torsten Manns interview <!-- p. 40 -->
Bergman on Bergman (1970)
Context: Now let's get this Devil business straight, once and for all. To begin at the beginning: the notion of God, one might say, has changed aspect over the years, until it has either become so vague that it has faded away altogether or else has turned into something entirely different. For me, hell has always been a most suggestive sort of place; but I've never regarded it as being located anywhere else than on earth. Hell is created by human beings — on earth!
What I believed in those days — and believed in for a long time — was the existence of a virulent evil, in no way dependent upon environmental or hereditary factors. Call it original sin or whatever you like — anyway an active evil, of which human beings, as opposed to animals, have a monopoly. Our very nature, qua human beings, is that inside us we always carry around destructive tendencies, conscious or unconscious, aimed both at ourselves and at the outside world.
As a materialization of this virulent, indestructible, and — to us — inexplicable and incomprehensble evil, I manufactured a personage possessing the diabolical traits of a mediaeval morality figure. In various contexts I'd made it into a sort of private game to have a diabolic figure hanging around. His evil was one of the springs in my watch-works. And that's all there is to the devil-figure in my early films... Unmotivated cruelty is something which never ceases to fascinate me; and I'd very much like to know the reason for it. Its source is obscure and I'd very much like to get at it.
