“A good conversation always involves a certain amount of complaining. I like to bond over mutual hatreds and petty grievances.”

1860s, Reply to Charles Kingsley (1860)

De Abaitua interview (1998)
Context: There is a certain amount of sham in. There is a certain amount of theatre. It’s as loosely knit as that. We’re sort of coming out of the closet a bit more over the next couple of years. We’re going to be bringing out – manifesto’s too pushy a word – if it’s a theatre of marvels, we’re bringing out a theatre programme in the next couple of years. We’re working on it at the moment – our unified field theory of spookiness where we try to explain everything from language, consciousness, grey aliens to Rosicrucianism or whatever. It is a grand, mad theory which I’m working my best on at the moment to make it rational. It is an anti-rationalistic theory but I’m trying to couch it in rational terms so that it is not as insular as a lot of magic stuff.

The Coming Victory of Democracy (1938), p. 14, translated by Agnes E. Meyer, Knopf (1938)

Referring to Pearl Harbor (2001). Allure magazine, March 2008.

Source: Ink and Bone

On her ideal music in “Kim Gordon unmasked: a natural instinct of going against the grain” https://www.smh.com.au/entertainment/music/kim-gordon-unmasked-a-natural-instinct-of-going-against-the-grain-20190805-p52dxg.html in The Sydney Morning Herald (2019 Aug 9)

Source: White Oleander

The Critic as Artist (1891), Part II

“We Are the World,” http://www.ilanamercer.com/phprunner/public_article_list_view.php?editid1=147 WorldNetDaily.com, March 31, 2006. <br class="br">2000s, 2006