“Love, Allie concluded, wasn't blind, it simply saw alternate dimensions.”

"A Statement Against the War in Vietnam" an address at the University of Kentucky (10 February 1968) http://books.google.com/books?id=-hHNuLumg8wC&pg=PA68.
The Long-Legged House (1969)
Context: We have become blind to the alternatives to violence. This involves us in a sort of official madness, in which, while following what seems to be a perfect logic of self-defense and deterrence, we commit one absurdity after another: We seek to preserve peace by fighting a war, or to advance freedom by subsidizing dictatorships, or to "win the hearts and minds of the people" by poisoning their crops and burning their villages and confining them in concentration camps; we seek to uphold the "truth" of our cause with lies, or to answer conscientious dissent with threats and slurs and intimidations. … I have come to the realization that I can no longer imagine a war that I would believe to be either useful or necessary. I would be against any war.

Source: Building Entopia - 1975, Chapter 2, The great danger, p. 21

"Why Physical Space has Three Dimensions," British Journal for the Philosophy of Science, 6 #21 (May 1955)
Context: Perhaps the first to approach the fourth dimension from the side of physics, was the Frenchman, Nicole Oresme, of the fourteenth century. In a manuscript treatise, he sought a graphic representation of the Aristotelian forms, such as heat, velocity, sweetness, by laying down a line as a basis designated longitudo, and taking one of the forms to be represented by lines (straight or circular) perpendicular to this either as a latitudo or an altitudo. The form was thus represented graphically by a surface. Oresme extended this process by taking a surface as the basis which, together with the latitudo, formed a solid. Proceeding still further, he took a solid as a basis and upon each point of this solid he entered the increment. He saw that this process demanded a fourth dimension which he rejected; he overcame the difficulty by dividing the solid into numberless planes and treating each plane in the same manner as the plane above, thereby obtaining an infinite number of solids which reached over each other. He uses the phrase "fourth dimension" (4am dimensionem).

Source: 1960s, Julian (1964), Chapter 6

Source: Alejandro Giammattei (2021) cited in: " Guatemala backs Taipei: president https://www.taipeitimes.com/News/front/archives/2021/12/08/2003769213" in Taipei Times, 8 December 2021.

On painter Rufino Tamayo.
I Used to Believe I Had Forever — Now I'm Not So Sure (1968)
Context: He paints for the blind, and we are the blind, and he lets us see for sure what we saw long ago but weren't sure we saw. He paints for the dead, to remind us that — great good God, think of it — we're alive, and on our way to weather, from the sea to the hot interior, to watermelon there, a bird at night chasing a child past flowering cactus, a building on fire, barking dogs, and guitar-players not playing at eight o'clock, every picture saying, "Did you live, man? Were you alive back there for a little while? Good for you, good for you, and wasn't it hot, though? Wasn't it great when it was hot, though?"

there are always sufficiently gullible patients
Foreword to Snake Oil and Other Preoccupations by John Diamond, Vintage, 2001.
Forewords

[A theorem on locally euclidean groups, Annals of Mathematics, 1947, 650–658, 10.2307/1969132]