“Black has depth.. you can go into it.. And you start seeing what you're afraid of. You start seeing what you love, and it becomes like a dream.”

Source: The Summer Book

Part II: The Banality of Slavery, page 65.
Going Postal: Rage, Murder, and Rebellion, From Reagan's Workplaces to Clinton's Columbine and Beyond (2005)
Context: Just as the American colonials' consciousness expanded from rebelling against unfair taxation in the 1760s to wide noble revolutionary goals touching on the inherent rights of mankind, so the Whiskey Rebellion guerrillas took on broader themes as injustice increasingly framed their consciousness. Once you start seeing injustice in one place, it's like taking off blinders- you start to see injustice everywhere, and how it is all connected.

Source: Second Glance

Source: Good Morning, Midnight

Interview with Tony Schwartz in Playboy (February 1984) p. 166
Context: I write from instinct, from inexplicable sparkle. I don't know why I'm writing what I'm writing. Usually, I sit and I let my hands wander on my guitar. And I sing anything. I play anything. And I wait till I come across a pleasing accident. Then I start to develop it. Once you take a piece of musical information, there are certain implications that it automatically contains — the implication of that phrase elongated, contracted, or inverted or in another time signature. So you start with an impulse and go to what your ear likes.

Source: Kafka on the Shore

Girlfriend in a Coma (1998)

Highway of Eternity (1986)