“All days are nights to see till I see thee,
And nights bright days when dreams do show thee me.”
William Shakespeare book Shakespeare's Sonnets
Source: Shakespeare's Sonnets
“All days are nights to see till I see thee,
And nights bright days when dreams do show thee me.”
William Shakespeare book Shakespeare's Sonnets
Source: Shakespeare's Sonnets
Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature
Source: The Monkey Grammarian (1974), Ch. 4
Ch. 4 -->
Context: Fixity is always momentary. But how can it always be so? If it were, it would not be momentary — or would not be fixity. What did I mean by that phrase? I probably had in mind the opposition between motion and motionlessness, an opposition that the adverb always designates as continual and universal: it embraces all of time and applies to every circumstance. My phrase tends to dissolve this opposition and hence represents a sly violation of the principle of identity. I say “sly” because I chose the word momentary as an adjectival qualifier of fixity in order to tone down the violence of the contrast between movement and motionlessness. A little rhetorical trick intended to give an air of plausibility to my violation of the rules of logic. The relations between rhetoric and ethics are disturbing: the ease with which language can be twisted is worrisome, and the fact that our minds accept these perverse games so docilely is no less cause for concern. We ought to subject language to a diet of bread and water if we wish to keep it from being corrupted and from corrupting us. (The trouble is that a-diet-of-bread-and-water is a figurative expression, as is the-corruption-of-language-and-its-contagions.) It is necessary to unweave (another metaphor) even the simplest phrases in order to determine what it is that they contain (more figurative expressions) and what they are made of and how (what is language made of? and most important of all, is it already made, or is it something that is perpetually in the making?). Unweave the verbal fabric: reality will appear. (Two metaphors.) Can reality be the reverse of the fabric, the reverse of metaphor — that which is on the other side of language? (Language has no reverse, no opposite faces, no right or wrong side.) Perhaps reality too is a metaphor (of what and/or of whom?). Perhaps things are not things but words: metaphors, words for other things. With whom and of what do word-things speak? (This page is a sack of word-things.) It may be that, like things which speak to themselves in their language of things, language does not speak of things or of the world: it may speak only of itself and to itself.
Elias Lyman Magoon (1810–1886) American minister
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 476.
Christian Heinrich von Dillmann (1829–1899) German educationist
Source: Die Mathematik die Fackelträgerin einer neuen Zeit (Stuttgart, 1889), p. 5.
“Theologians may quarrel, but the mystics of the world speak the same language.”
Meister Eckhart (1260–1328) German theologian
William Morris (1834–1896) author, designer, and craftsman
The Earthly Paradise (1868-70), The Lady of the Land
Context: What man art thou that thus hast wandered here,
And found this lonely chamber where I dwell?
Beware, beware! for I have many a spell;
If greed of power and gold have led thee on,
Not lightly shall this untold wealth be won.
But if thou com'st here knowing of my tale,
In hope to bear away my body fair,
Stout must thine heart be, nor shall that avail
If thou a wicked soul in thee dost bear;
So once again I bid thee to beware,
Because no base man things like this may see,
And live thereafter long and happily.
“Man is multiplied by the number of languages he possesses and speaks.”
José Rizal (1861–1896) Filipino writer, ophthalmologist, polyglot and nationalist
"Los Viajes"
“Let all Men know thee, but no man know thee thoroughly: Men freely ford that see the shallows.”
Benjamin Franklin book Poor Richard's Almanack
Poor Richard's Almanack (1743)
Poor Richard's Almanack
“The colors that a speaker "sees" often depend very much on the language he speaks”
Peter Farb (1929–1980) American academic and writer
Word Play (1974)
Context: The colors that a speaker "sees" often depend very much on the language he speaks, because each language offers its own high-codability color terms.
“Listen with ears of tolerance!
See through the eyes of compassion!
Speak with the language of love.”
Rumi (1207–1273) Iranian poet
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