“Magnus believed that many old things were creations of enduring beauty. The pyramids. Michelangelo’s David. Versailles. Magnus himself.”

Source: Born to Endless Night

Last update June 3, 2021. History

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Cassandra Clare 2041
American author 1973

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“Hello, companion," said Magnus.

The monkey made a terrible sound, half snarl and half hiss.

"I begin to rather doubt the beauty of our friendship," said Magnus.”

Magnus Bane to a monkey in 1791, p. 12.
Source: The Bane Chronicles, What Really Happened in Peru (2013)
Context: He paused and admired the bromeliads, huge iridescent flower-like bowls made out of petals, shimmering with color and water. There were frogs inside the jewel-bright recesses of the flowers.
Then he looked up into the round brown eyes of a monkey.
'Hello, companion,' said Magnus.
The monkey made a terrible sound, half snarl and half hiss.
'I begin to rather doubt the beauty of our friendship,' said Magnus.

Cassandra Clare photo
Cassandra Clare photo
Cassandra Clare photo
Cassandra Clare photo

“So I’m your first ever Shadowhunter, huh?" Alec said when they separated at last.
"You’re my first so many things, Alec Lightwood," Magnus said.”

Variant: So I’m your first ever Shadowhunter, huh?" Alec said when they separated at last.
"You’re my first so many things, Alec Lightwood
Source: City of Heavenly Fire

Cassandra Clare photo
Cassandra Clare photo
Joseph Goebbels photo

“Goethe as an old man: he was so very punctual. At that time he also wrote many things that were very punctual. The rounded thing is boring. Turn it as you may, it remains round and pretty.
I love the edges, the sharp lines, and fractures.
I show to him a picture of Dostoevsky. How ruptured, furrowed, tormented!
He looks like Michelangelo; the face of an endurer and a prophet.”

Joseph Goebbels (1897–1945) Nazi politician and Propaganda Minister

Der alte Goethe: er war so pünktlich. Er schrieb damals auch vieles, was sehr pünktlich war. Das Runde ist langweilig. Dreh es wie du willst, es bleibt rund und schön.
Ich liebe Ecken, Kanten und Risse.
Ich lege ihm ein Bild von Dostojewski vor. Wie zerrissen, wie zerfurcht und zerhauen!
So sieht auch Michelangelo aus; ein Dulder- und Prophetengesicht.
Michael: a German fate in diary notes (1926)

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Cassandra Clare photo

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