“Traveling-to-a-place energy and living-in-a-place energy are two fundamentally different energies”

"Energy and Force" (Mar 28, 1873)

Session 40, Page 317
The Early Sessions: Sessions 1-42, 1997, The Early Sessions: Book 1

Lectures XI, XII, AND XIII : "Saintliness" https://en.wikisource.org/wiki/The_Varieties_of_Religious_Experience/Lectures_XI,_XII,_and_XIII
1900s, The Varieties of Religious Experience (1902)
Context: One mode of emotional excitability is exceedingly important in the composition of the energetic character, from its peculiarly destructive power over inhibitions. I mean what in its lower form is mere irascibility, susceptibility to wrath, the fighting temper; and what in subtler ways manifests itself as impatience, grimness, earnestness, severity of character. Earnestness means willingness to live with energy, though energy bring pain. The pain may be pain to other people or pain to one's self — it makes little difference; for when the strenuous mood is on one, the aim is to break something, no matter whose or what. Nothing annihilates an inhibition as irresistibly as anger does it; for, as Moltke says of war, destruction pure and simple is its essence.

"Energy and Force" (Mar 28, 1873)

From the film Moog (2004)
Context: The more you get into material and matter, all you realize is in matter, there is energy. There is a blur between energy and consciousness. All material is conscious to some extent or another. All material can respond to some extent or another to vibrations of energy that is different to energy you learn about in physics. There are all sorts of reliable information now on people and animal being able to be able to effect the operations of machines—even of computers—and I think that has great implications for what goes on between a musician and his instrument. There is a level of reality where there is no time, and there is no space, there is just energy. And we have contact with that through the intermediate layers, so, if the right channels—if the right connections are established, I don’t see why a piece of matter, a piece of broken glass or and old record can’t make contact through this very high level of reality that has access to everything past and future. I suppose my instruments do retain some sort of memory of me. I know that when I’m working on them I feel (not explicitly, I don’t hear voices in my head or anything) that I’m making a connection with it. The circuit diagram, that is then converted into a circuit board, which then becomes a part of an instrument is something that is a record that I made. So I guess in that sense it is something that is certainly a memory.

Ma Ying-jeou (2013) cited in: " Ma reiterates commitment to use of ‘green’ power http://www.taipeitimes.com/News/taiwan/archives/2013/05/26/2003563211" in The Taipei Times, 26 May 2013.
Statement made during a visit to Chang-Kong Wind Power Station in Changhua County, Taiwan, 25 May 2013.
Economic Issues

Source: A Short History of Nearly Everything

Anarchism, What it Really Stands For (1910)
Anarchism, What it Really Stands For (1910)