
Shouting Fire: Civil Liberties in a Turbulent Age, Little, Brown & Company, New York, NY, (2002) p. 4
Source: Married By Morning
Shouting Fire: Civil Liberties in a Turbulent Age, Little, Brown & Company, New York, NY, (2002) p. 4
Choruses from The Rock (1934)
Context: O perpetual revolution of configured stars,
O perpetual recurrence of determined seasons,
O world of spring and autumn, birth and dying!
The endless cycle of idea and action,
Endless invention, endless experiment,
Brings knowledge of motion, but not of stillness;
Knowledge of speech, but not of silence;
Knowledge of words, and ignorance of The Word.
All our knowledge brings us nearer to our ignorance,
All our ignorance brings us nearer to death,
But nearness to death no nearer to God.
Where is the Life we have lost in living?
Where is the wisdom we have lost in knowledge?
Where is the knowledge we have lost in information?
The cycles of Heaven in twenty centuries
Brings us farther from God and nearer to the Dust.
"Everybody says it. The church, the government. It's against Nature, to give up, you've got to keep moving. That's the thing about you. You're not moving. You don't want to be here, selling old man Springer's jalopies. You want to be out there, learning something." He gestures toward the west. "How to hang glide, or run a computer, or whatever."
Rabbit is Rich (1981)
http://motls.blogspot.com/2016/01/north-korea-goes-thermonuclear.html#more
The Reference Frame http://motls.blogspot.com/
"Edward Witten" interview, Superstrings: A Theory of Everything? (1992) ed. P.C.W. Davies, Julian Brown
Context: It's been said that string theory is part of the physics of the twenty-first century that fell by chance into the twentieth century. That's a remark that was made by a leading physicist about fifteen years ago.... String theory was invented essentially by accident in a long series of events, starting with the Veneziano model... No one invented it on purpose, it was invented in a lucky accident.... By rights, string theory shouldn't have been invented until our knowledge of some of the areas that are prerequisite... had developed to the point that it was possible for us to have the right concept of what it is all about.
“There are more experiences in life than you’d think for which there are no words.”
“America did not invent human rights. In a very real sense… human rights invented America.”
Presidency (1977–1981), Farewell Address (1981)
Context: America did not invent human rights. In a very real sense, it is the other way round. Human rights invented America.
Ours was the first nation in the history of the world to be founded explicitly on such an idea.
Context: I have just been talking about forces of potential destruction that mankind has developed, and how we might control them. It is equally important that we remember the beneficial forces that we have evolved over the ages, and how to hold fast to them.
One of those constructive forces is enhancement of individual human freedoms through the strengthening of democracy, and the fight against deprivation, torture, terrorism and the persecution of people throughout the world. The struggle for human rights overrides all differences of color, nation or language.
Those who hunger for freedom, who thirst for human dignity, and who suffer for the sake of justice — they are the patriots of this cause.
I believe with all my heart that America must always stand for these basic human rights — at home and abroad. That is both our history and our destiny.
America did not invent human rights. In a very real sense, it is the other way round. Human rights invented America.
Ours was the first nation in the history of the world to be founded explicitly on such an idea. Our social and political progress has been based on one fundamental principle — the value and importance of the individual. The fundamental force that unites us is not kinship or place of origin or religious preference. The love of liberty is a common blood that flows in our American veins.
In the Belly of the Beast (1981)
Pt. 2, Ch. 3
The Struggle of the Modern (1963)
Context: Both Hopkins and Lawrence were religious not just in the ritualistic sense but in the sense of being obsessed with the word — the word made life and truth — with the need to invent a language as direct as religious utterance. Both were poets, but outside the literary fashions of their time. Both felt that among the poets of their time was an absorption in literary manners, fashions and techniques which separated the line of the writing from that of religious truth. Both felt that the modern situation imposed on them the necessity to express truth by means of a different kind of poetic writing from that used in past or present. Both found themselves driven into writing in a way which their contemporaries did not understand or respond to yet was inevitable to each in his pursuit of truth. Here of course there is a difference between Hopkins and Lawrence, because Hopkins in his art was perhaps over-worried, over-conscientious, whereas Lawrence was an instinctive poet who, in his concern for truth, understood little of the problems of poetic form, although he held strong views about them.