Demander à la poésie du sentimentalisme…ce n'est pas ça. Des mots rayonnants, des mots de lumière…avec un rythme et une musique, voilà ce que c'est, la poésie.
Remark, June 22, 1863, reported in the Journal des Goncourts (Paris: Bibliothèque-Charpentier, 1888) vol. 2, p. 123, (ellipses in the original); Arnold Hauser (trans. Stanley Godman and Arnold Hauser) The Social History of Art (London: Routledge & Kegan Paul, 1951) vol. 2, p. 684.
“I will feast on enemies of Ra until my belly is full!”
“Charming,” Sadie whispered.”
Source: The Red Pyramid
Source: The Autobiography of William Cobbett (1933), Ch. 12, pp. 185-186.
“Out of the sewer, literal vampire pot bellied goblins are hobbling around coming after us!”
Literal vampire pot bellied goblins https://www.youtube.com/watch?v=9hs8PpTFBSw, The Alex Jones Show, July 18 2017.
2017
“Writing poetry after Auschwitz is barbaric.”
[N]ach Auschwitz ein Gedicht zu schreiben, ist barbarisch...
Full quote: Kulturkritik findet sich der letzten Stufe der Dialektik von Kultur und Barbarei gegenüber: nach Auschwitz ein Gedicht zu schreiben, ist barbarisch, und das frißt auch die Erkenntnis an, die ausspricht, warum es unmöglich ward, heute Gedichte zu schreiben.
Kulturkritik und Gesellschaft [Cultural Criticism and Society] (1951); this quote is more famously known in the forms "No poetry after Auschwitz" or "There can be no poetry after Auschwitz." Sometimes a more specific proscription is made, such as "No lyric poetry after Auschwitz." The influence of the underlying idea can be seen in such derivative statements as "No history after Auschwitz."
In this composition Dasa describes the plight of the working class to work for their survival as the rich exploit them, as quoted here[Narayan, M.K.V., Lyrical Musings on Indic Culture: A Sociology Study of Songs of Sant Purandara Dasa, http://books.google.com/books?id=-r7AxJp6NOYC&pg=PA79, 1 January 2010, Readworthy, 978-93-80009-31-5, 85]
'Phases of English Poetry' Hogarth Press (1928)
Phases in English Poetry (1928)
