Charles Robert Leslie (1794–1859) British painter (1794-1859)
Autobiographical Recollections of C. R. Leslie with Selections from his correspondence Ed. Tom Taylor , Ticknor & Fields, Boston 1860
Source: The Handmaid's Tale
Charles Robert Leslie (1794–1859) British painter (1794-1859)
Autobiographical Recollections of C. R. Leslie with Selections from his correspondence Ed. Tom Taylor , Ticknor & Fields, Boston 1860
George Perle (1915–2009) American composer
Kozinn, Allan (January 24, 2009). "George Perle, a Composer and Theorist, Dies at 93" http://www.nytimes.com/2009/01/24/arts/music/24perle.html, New York Times. <br class="br">See: Alban Berg <br class="br">The Listening Composer
“I only composed and experimented for myself and not to please anyone else.”
Jesper Kyd (1972) musician
Amiga Music Preservation interview, 2006
Jascha Heifetz (1901–1987) Lithuanian violinist
Heifetz official web site http://www.jaschaheifetz.com/about/quotes.html
Glenn Gould (1932–1982) Canadian pianist
Gramophone
Context: I think that if I were required to spend the rest of my life on a desert island, and to listen to or play the music of any one composer during all that time, that composer would almost certainly be Bach. I really can't think of any other music which is so all-encompassing, which moves me so deeply and so consistently, and which, to use a rather imprecise word, is valuable beyond all of its skill and brilliance for something more meaningful than that -- its humanity.
“I like composing music, but I love being with my family.”
Ennio Morricone (1928–2020) Italian composer, orchestrator and conductor
Charles Lindbergh (1902–1974) American aviator, author, inventor, explorer, and social activist
Autobiography of Values (1978)
Context: I know myself as mortal, but this raises the question: "What is I?" Am I an individual, or am I an evolving life stream composed of countless selves? … As one identity, I was born in AD 1902. But as AD twentieth-century man, I am billions of years old. The life I consider as myself has existed though past eons with unbroken continuity. Individuals are custodians of the life stream — temporal manifestations of far greater being, forming from and returning to their essence like so many dreams. … I recall standing on the edge of a deep valley in the Hawaiian island of Maui, thinking that the life stream is like a mountain river — springing from hidden sources, born out of the earth, touched by stars, merging, blending, evolving in the shape momentarily seen. It is molecules probing through time, found smooth-flowing, adjusted to shaped and shaping banks, roiled by rocks and tree trunks — composed again. Now it ends, apparently, at a lava brink, a precipitous fall.
Near the fall's brink, I saw death as death cannot be seen. I stared at the very end of life, and at life that forms beyond, at the fact of immortality. Dark water bent, broke, disintegrated, transformed to apparition — a tall, stately ghost soul emerged from body, and the finite individuality of the whole becomes the infinite individuality of particles. Mist drifted, disappeared in air, a vanishing of spirit. Far below in the valley, I saw another river, reincarnated from the first, its particles reorganized to form a second body. It carried the same name. It was similar in appearance. It also ended at a lava brink. Flow followed fall, and fall followed flow as I descended the mountainside. The river was mortal and immortal as life, as becoming.