“He would have been a handful in any society. He is a misfit and fully conscious of it. The punctilio of his old-world manners, the dandified scrupulosity of his Savile Row suits, are compelled by an unsleeping awareness that he has no more business among ordinary human beings than a Venusian.”

— Barry Humphries

Clive James, 'Approximately in the Vicinity of Barry Humphries' http://www.clivejames.com/pieces/snakecharmers/barry-humphries

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Barry Humphries4

Australian comedian and actor 1934

Carlos Castaneda book The Wheel of Time

Source: The Wheel of Time: Shamans of Ancient Mexico, Their Thoughts About Life, Death and the Universe], (1998), Quotations from A Separate Reality (Chapter 6)

“Anyone who cannot come to terms with his life while he is alive needs one hand to ward off a little his despair over his fate — he has little success in this — but with his other hand he can note down what he sees among the ruins, for he sees different (and more) things than do the others; after all, dead as he is in his own lifetime, he is the real survivor. This assumes that he does not need both hands, or more hands than he has, in his struggle against despair.”

Franz Kafka (1883–1924) author

19 October 1921
The Diaries of Franz Kafka 1910-1923 (1948)

“He is happy, whose circumstances suit his temper; but he is more excellent, who can suit his temper to any circumstances.”

David Hume book An Enquiry Concerning the Principles of Morals

§ 6.9 : Of Qualities Useful to Ourselves, Pt. 1
An Enquiry Concerning the Principles of Morals (1751)

“Tom Chaney rode his gray horse that was better suited to pulling a middlebuster than carrying a rider. He had no hand gun but he carried his rifle slung across his back on a piece of cotton plow line. There is trash for you. He could have taken an old piece of harness and made a nice leather strap for it. That would have been too much trouble.”

Charles Portis book True Grit

Source: True Grit (1968), Chapter 1, p. 12 : thoughts of 'Mattie Ross'

“Carmody’s jaw stiffened and he withdrew his hand. He had been pushed around long enough. Now, for the sake of his own self-esteem, he would not yield any more.”

Robert Sheckley book Dimension of Miracles

Source: Dimension of Miracles (1968), Chapter 4 (p. 31)

“A burgher may acquire merit; by excessive efforts he may even educate his mind; but his personal qualities are lost, or worse than lost, let him struggle as he will. Since the nobleman, frequenting the society of the most polished, is compelled to give himself a polished manner; since this manner, neither door nor gate being shut against him, grows at last an unconstrained one; since, in court or camp, his figure, his person, are a part of his possessions, and it may be the most necessary part, — he has reason enough to put some value on them, and to show that he puts some.”

Johann Wolfgang von Goethe (1749–1832) German writer, artist, and politician

Goethe, translated by Thomas Carlyle (1824), cited in: Jürgen Habermas (1989) Structural Transformation of the Public Sphere, English ed. p. 12

“The creative artist has an essential role in modern society. By expressing his individual ideas and emotions he adds to the sum of human awareness.”

Lloyd Goodrich (1897–1987) American art historian

'The Artist in American Society' - Colorado Magazine Vol. 15 No 2 Autumn 1966

“Ooh, he's a moody old man.
Song of Summer in his hand.
Ooh, he's a moody old man.
…in…in…in his hand.
…in his hand.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, Never for Ever (1980)

“I have told you before that Gladstone has shown much heart in this business. He has a strong aversion to the waste of money on our armaments. He has much more of our sympathies. He has more in common with you and me than any other man of his power in Britain.”

Richard Cobden (1804–1865) English manufacturer and Radical and Liberal statesman

Letter to John Bright (1860) on the negotiations for his free trade treaty with France, quoted in W. E. Williams, The Rise of Gladstone to the Leadership of the Liberal Party, 1859 to 1868 (Cambridge: Cambridge University Press, 1934), p. 20.
1860s

“So far as one understands a man, one is that man. The man of genius takes his place in the above argument as he who understands incomparably more other beings than the average man. Goethe is said to have said of himself that there was no vice or crime of which he could not trace the tendency in himself, and that at some period of his life he could not have understood fully. The genius, therefore, is a more complicated, more richly endowed, more varied man; and a man is the closer to being a genius the more men he has in his personality, and the more really and strongly he has these others within him.”

Otto Weininger book Sex and Character

Einen Menschen verstehen heißt also: auch er sein. Der geniale Mensch aber offenbarte sich an jenen Beispielen eben als der Mensch, welcher ungleich mehr Wesen versteht als der mittelmäßige. Goethe soll von sich gesagt haben, es gebe kein Laster und kein Verbrechen, zu dem er nicht die Anlage in sich verspürt, das er nicht in irgend einem Zeitpunkte seines Lebens vollauf verstanden habe. Der geniale Mensch ist also komplizierter, zusammengesetzter, reicher; und ein Mensch ist um so genialer zu nennen, je mehr Menschen er in sich vereinigt, und zwar, wie hinzugefügt werden muß, je lebendiger, mit je größerer Intensität er die anderen Menschen in sich hat.
Source: Sex and Character (1903), p. 106.

“He would have been a handful in any society. He is a misfit and fully conscious of it. The punctilio of his old-world manners, the dandified scrupulosity of his Savile Row suits, are compelled by an unsleeping awareness that he has no more business among ordinary human beings than a Venusian.”

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Barry Humphries4

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