“Subject.... no specific scene but many incidents.”

— Arshile Gorky

The first word I spoke was Argula – it has no meaning. I was then five years old. Thus I called this painting 'Argula' as I was entering a new period closer to my instincts.
(Technique..:) Hundreds and hundreds of layers of paint to obtain the weight of reality – Art this period I measured by weight. [mid 1930's]
in his reply to Questionnaires of the MOMA museum, 1941
Gorky's quote refers on his multi-layered painting technique Gorky applied those days
1930 - 1941

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Arshile Gorky32

Armenian-American painter 1904–1948

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“Subject…. no specific scene but many incidents. – The first word I spoke was Argula – it has no meaning. I was then five years old. Thus I called this painting 'Argula' as I was entering a new period closer to my instincts.
(Technique..:) Hundreds and hundreds of layers of paint to obtain the weight of reality – Art this period I measured by weight. [mid 1930's]”

Arshile Gorky (1904–1948) Armenian-American painter

in his reply to Questionnaires of the MOMA museum, 1941
Gorky's quote refers on his multi-layered painting technique Gorky applied those days
1930 - 1941

“This contest has lasted now for more than four years. Were its scene at a distance from our neighborhood, we might be indifferent to its result, although humanity could not be unmoved by many of its incidents wherever they might occur. It is, however, at our door.”

Ulysses S. Grant (1822–1885) 18th President of the United States

1870s, Fourth State of the Union Address (1872)

“I created you while I was happy, while I was sad,
with so many incidents, so many details.”

Constantine P. Cavafy (1863–1933) Greek poet

" In the Same Space http://cavafis.compupress.gr/kave_134.htm" (1929) <br class="br">Context: p>I created you while I was happy, while I was sad,<br>with so many incidents, so many details.And, for me, the whole of you has been transformed into feeling.</p

“The self… is not an organic thing that has a specific location, whose fundamental fate is to be born, to mature, to die; it is a dramatic effect arising diffusely from a scene that is presented.”

Erving Goffman book The Presentation of Self in Everyday Life

p 252; Cited in: Javier Trevino, Goffman's Legacy. Rowman & Littlefield Publishers, 2003, p. 55.
1950s-1960s, The Presentation of Self in Everyday Life, 1959

“Our lives are lived, in actual fact, among changing, varying realities, subject to the casual play of external necessities, and modifying themselves according to specific conditions within specific limits”

Simone Weil (1909–1943) French philosopher, Christian mystic, and social activist

Source: Simone Weil : An Anthology (1986), The Power of Words (1937), p. 222
Context: There is no area in our minds reserved for superstition, such as the Greeks had in their mythology; and superstition, under cover of an abstract vocabulary, has revenged itself by invading the entire realm of thought. Our science is like a store filled with the most subtle intellectual devices for solving the most complex problems, and yet we are almost incapable of applying the elementary principles of rational thought. In every sphere, we seem to have lost the very elements of intelligence: the ideas of limit, measure, degree, proportion, relation, comparison, contingency, interdependence, interrelation of means and ends. To keep to the social level, our political universe is peopled exclusively by myths and monsters; all it contains is absolutes and abstract entities. This is illustrated by all the words of our political and social vocabulary: nation, security, capitalism, communism, fascism, order, authority, property, democracy. We never use them in phrases such as: There is democracy to the extent that... or: There is capitalism in so far as... The use of expressions like "to the extent that" is beyond our intellectual capacity. Each of these words seems to represent for us an absolute reality, unaffected by conditions, or an absolute objective, independent of methods of action, or an absolute evil; and at the same time we make all these words mean, successively or simultaneously, anything whatsoever. Our lives are lived, in actual fact, among changing, varying realities, subject to the casual play of external necessities, and modifying themselves according to specific conditions within specific limits; and yet we act and strive and sacrifice ourselves and others by reference to fixed and isolated abstractions which cannot possibly be related either to one another or to any concrete facts. In this so-called age of technicians, the only battles we know how to fight are battles against windmills.

“Like literature, philosophy is not distinguished from other subjects by a specific approach to a subject-matter independent of it. Chemistry deals with chemicals, biology with life and astronomy with very large, very distant objects. Philosophy can boast no such definite subject-matter.”

David Wood (1946) British philosopher, born 1946

Source: Philosophy At The Limit (1990), Chapter 4, Philosophy As Writing: The Case Of Hegel, p. 69

“But realistically, we don’t have that many problems at QuakeCon. If it was a football convention or something, there would probably be a lot more incidents.”

John D. Carmack (1970) American computer programmer, engineer, and businessman

Quoted in Billy Berghammer, "CES 2007: John Carmack And Todd Hollenshead Speak" http://www.team5150.com/~andrew/carmack/johnc_interview_2007_CES_2007__John_Carmack_And_Todd_Hollenshead_Speak.html Game Informer (2007-01-09)

“This whole creation is essentially subjective, and the dream is the theater where the dreamer is at once scene, actor, prompter, stage manager, author, audience, and critic.”

C.G. Jung (1875–1961) Swiss psychiatrist and psychotherapist who founded analytical psychology

General Aspects of Dream Psychology (1928)

“The most important characteristic of documentary classification is that it is concerned with subjects, not just entities of taxonomic classification. What is the nature of the specific subjects - the themes on which books, parts of books, articles or parts of articles are written? A study of book titles alone would suggest that literary subjects have simple names like 'War, Religion', 'Boats', 'Musica; pitch', 'Colour', 'Acridines', 'Wild flowers', and so on. But the study of articles on the documentation level reveals that such titles are simple in appearance only. Such a literary subject is in reality a complex aggregate of specific subjects, eahc which is the main theme discussed from one particular aspect.”

Brian Campbell Vickery (1918–2009) British information theorist

Source: Classification and indexing in science (1958), Chapter 1: The need for classification, p. 8; Partly cited in Nigerian Library and Information Science Review (1987). Vol 5-8. p. 44.

“What is character but the determination of incident? What is incident but the illustration of character?”

Henry James (1843–1916) American novelist, short story author, and literary critic

The Art of Fiction http://public.wsu.edu/~campbelld/amlit/artfiction.html (1884)

“Subject.... no specific scene but many incidents.”

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