Quote from The Writings of Marcel Duchamp (Marchand du Sel) e.d. Michel Sanouille and Elmer Peterson, New York 1973, pp. 139-140
posthumous
“Artaud sought to remove aesthetic distance, bringing the audience into direct contact with the dangers of life. By turning theatre into a place where the spectator is exposed rather than protected, Artaud was committing an act of cruelty upon them.”
Lee Jamieson, Antonin Artaud: From Theory to Practice, Greenwich Exchange, 2007, p. 23.
Help us to complete the source, original and additional information
Antonin Artaud 44
French-Occitanian poet, playwright, actor and theatre direc… 1896–1948Related quotes
Quote from The Writings of Marcel Duchamp (Marchand du Sel) e.d. Michel Sanouille and Elmer Peterson, New York 1973, pp. 139-140
posthumous
Context: The spectator experiences the phenomenon of transmutation; through the change from inert matter into a work of art, an actual transubstantiation has taken place... All in all, the creative act is not performed by the artist alone; the spectator brings the work into contact with the external world by deciphering and interpreting its inner qualifications and thus adds his contribution to the creative act.
About being on the other side of the camera, in Davidtennant.com exclusive interview (February 2007)
Source: Spectrum: From Right to Left in the World of Ideas (2005), Ch. 2. "Constitutional Theatre, Ferdinand Mount" (1992), p. 48
2000s, 2001, A Great People Has Been Moved to Defend a Great Nation (September 2001)
“Sin is not a distance, it is a turning of our gaze in the wrong direction.”
Source: Waiting for God
Quoted in "A Shameful Act: The Armenian Genocide and the Question of Turkish Responsibility" - by Taner Akcam - History - 2007 - Page 143.
Quoted in The Musical Times, February 1909; cited from Percy A. Scholes The Mirror of Music, 1844-1944 (London: Novello, 1947) vol. 1, p. 267.