
Kenneth Rexroth, as quoted in Ramez Qureshi on Stuart Merrill's The White Tomb: Selected Writing http://home.jps.net/~nada/merrill.htm
About
Paris Review interview (1986)
Context: Whitman to me is the most fascinating of American poets. Whitman started to write the great poetry from scratch after he had written all that junk for newspapers, the sentimental lyrical poems. All of a sudden he wrote Leaves of Grass. When I was teaching at the University of Nebraska, my friend James Miller was chairman of the English Department. He wrote the first book attempting to make a parallel between the structure of Leaves of Grass and the steps of the mystical experience as in St. John of the Cross. I was completely bowled over by this, not having been able to explain how Whitman came to write “Song of Myself,” which is unlike anything not only in American literature, but unique in all the world. The parallels to it are mystical literature. Miller tried to show that there was actual evidence for this kind of experience, which evidently happens at a particular moment in someone’s life. … When I saw the negative reaction to Whitman with the great ruling critics of the time, I couldn’t believe it. Eliot never really gave up hammering away on Whitman, neither did Pound. Although Pound makes little concessions. Whitman, you know, didn’t have any influence in this country until Allen Ginsberg came along.
Kenneth Rexroth, as quoted in Ramez Qureshi on Stuart Merrill's The White Tomb: Selected Writing http://home.jps.net/~nada/merrill.htm
About
“Walt Whitman's a hell of a lot more revolutionary than any Russian poet I've ever heard of.”
Response to the questionnaire "Whiter the American Writer?" in Modern Quarterly, Summer 1932
Source: Karel Appel – the complete sculptures,' (1990), p. 93 'Quotes', K. Appel (1989)
Appel's quote is referring to his sculpture 'Monument for Walt Whitman', dedicated to the American poet
“America's most fascinating outlaw.”
Anita Loos, as quoted by Stuart B. McIver, Dreamers, Schemers and Scalawags, Pineapple Press, Sarasota, Florida, 1994. ISBN 1-56164-034-4.
About
Carol Ness, "Beat Poet Gregory Corso, 70, Dies of Cancer" http://sfgate.com/cgi-bin/article.cgi?file=/chronicle/archive/2001/01/18/MN143830.DTL, San Francisco Chronicle, 2001-01-18. : On Gregory Corso.
2000s
“You are my most fascinating and risky temptation.”
Original: (it) Sei la mia più affascinante e rischiosa tentazione.
Source: prevale.net
“You are the most fascinating and important thought of my days.”
From the Quotes http://www.prevale.net/quotes.html page of the official website of Prevale
Original: (it) Sei il pensiero più affascinante ed importante dei miei giorni.
Source: prevale.net
“You are the most fascinating and important thought of my days.”
Original: (it) Sei la mia più affascinante e rischiosa tentazione.