
“What I write could only be called poetry because there is no other category to put it.”
Interview with Donald Hall in November 1960, pub.'Paris Review' The Art of Poetry, no 26 (1961)
Acceptance speech of the National Book Award for Nonfiction (1952); also in Lost Woods: The Discovered Writing of Rachel Carson (1999) edited by Linda Lear, p. 91
Context: The winds, the sea, and the moving tides are what they are. If there is wonder and beauty and majesty in them, science will discover these qualities. If they are not there, science cannot create them. If there is poetry in my book about the sea, it is not because I deliberately put it there, but because no one could write truthfully about the sea and leave out the poetry.
“What I write could only be called poetry because there is no other category to put it.”
Interview with Donald Hall in November 1960, pub.'Paris Review' The Art of Poetry, no 26 (1961)
Hugging the Shore, foreword (1983)
"The Autobiography of Sir William Topaz McGonagall".
Other works
“I wanted to find out why Shelley could write better-sounding poetry than I.”
Los Angeles Times (1970); on why he chose to pursue phonetics.
“We talk so abstractly about poetry because all of us are usually bad poets.”
“This is a short book because most books about writing are filled with bullshit.”
Source: On Writing: A Memoir of the Craft