“A breath of our inspiration
Is the life of each generation”

The Afternoon of a Faun (1876)
Context: No water murmurs but what my flute pours
On the chord sprinkled thicket; and the sole wind
Prompt to exhale from my two pipes, before
It scatters the sound in a waterless shower,
Is, on the horizon's unwrinkled space,
The visible serene artificial breath
Of inspiration, which regains the sky.

2000s, 2001, Radio address (May 2001)

Novalis (1829)

Emotional Architecture as Compared to Intellectual (1894)
Context: Man, by means of his physical power, his mechanical resources, his mental ingenuity, may set things side by side. A composition, literally so called, will result, but not a great art work, not at all an art work in fact, but merely a more or less refined exhibition of brute force exercised upon helpful materials. It may be as a noise in lessening degrees of offensiveness, it can never become a musical tone. Though it shall have ceased to be vulgar in becoming sophistical, it will remain to the end what it was in the beginning: impotent to inspire — dead, absolutely dead.
It cannot for a moment be doubted that an art work to be alive, to awaken us to its life, to inspire us sooner or later with its purpose, must indeed be animate with a soul, must have been breathed upon by the spirit and must breathe in turn that spirit. It must stand for the actual, vital first-hand experiences of the one who made it, and must represent his deep-down impression not only of physical nature but more especially and necessarily his understanding of the out-working of that Great Spirit which makes nature so intelligible to us that it ceases to be a phantasm and becomes a sweet, a superb, a convincing Reality.

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 90.

1830s, The American Scholar http://www.emersoncentral.com/amscholar.htm (1837)
Context: We will walk on our own feet; we will work with our own hands; we will speak our own minds... A nation of men will for the first time exist, because each believes himself inspired by the Divine Soul which also inspires all men.

New York Times Magazine (23 May 1971)

"Originals Graphics Multiples" (1973) <!-- as quoted in Man Ray : American Artist (1988) by Neil Baldwin, p. 323 -->
Context: An original is a creation motivated by desire.
Any reproduction of an original is motivated by necessity.
The original is the result of an automatic process, the reproduction, of a mechanical process. In other words: Inspiration then information; each validates the other.
All other considerations are beyond the scope of these statements.
It is marvelous that we are the only species that creates gratuitous forms. To create is divine, to reproduce is human.

Source: Translations, The Aeneid of Virgil (1866), Book VI, p. 220