“The artefacts of a genius are distinguished by rich human content, for which he forges new images and new techniques, creates new styles. He sees himself as a unique eruption in the desert of the banal.”

— John Fowles , book The Aristos

The Aristos (1964)
Context: The artefacts of a genius are distinguished by rich human content, for which he forges new images and new techniques, creates new styles. He sees himself as a unique eruption in the desert of the banal. He feels himself mysteriously inspired or possessed. The craftsman, on the other hand, is content to use the traditional materials and techniques. The more self-possessed he is, the better craftsman he will be. What pleases him is skill of execution. He is very concerned with his contemporary success, his market value. If a certain kind of political commitment is fashionable, he may be committed; but out of fashion, not conviction. The genius, of course, is largely indifferent to contemporary success; and his commitment to his ideals, both artistic and political, is profoundly, Byronically, indifferent to their contemporary popularity. <!-- no. 61

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John Fowles 120

British writer 1926–2005

John Fowles book The Aristos

The Aristos (1964)

“…he felt frustrated, his sense of fate and direction subverted by banalities - the frustration of the man who, having thought himself following his destiny, finds he is actually on the A318 to New Malden.”

David Baddiel (1964) British comedian, novelist and television presenter

From the novel "Whatever Love Means"

“I was never interested in being just modern – I mean in creating a new style. I simply painted in whatever style seemed to suit me best. But Kandinsky was a thinker and had to express his ideas in words, so he constantly formulated new theories of art which he liked to discuss with Kubín, who was also a thinker..”

Gabriele Münter (1877–1962) German painter

Source: Interview by Edouard Roditi (1958), p. 118

“The public relations counsel, therefore, is a creator of news for whatever medium he chooses to transmit ideas. It is his duty to create news no matter what the medium which broadcasts this news.”

Edward Bernays (1891–1995) American public relations consultant, marketing pioneer

Source: Crystallizing Public Opinion (1923), p. 171

“He [= Duchamp himself, writing in the third person] CHOSE IT. He took an ordinary article of life, placed it so that its useful significance disappeared under the new title and point of view – created a new thought for that object.”

Marcel Duchamp (1887–1968) French painter and sculptor

Quote in: 'The Bride and the Bachelors', Tomkins, p. 41; as quoted in The New York school – the painters & sculptors of the fifties, Irving Sandler, Harper & Row, Publishers, 1978, p. 171
in this quote Duchamp is quoting himself
posthumous

“It is of small importance whether De Stijl still exists as a 'group'; a new style was born, a new aesthetic created; it needs only to be understood – and cultivated.”

Piet Mondrian (1872–1944) Peintre Néerlandais

Quote in: 'L'expression plastique nouvelle dans la peinture', Piet Mondriaan, 'Cahiers d'Art', 1, Paris, 1926, pp. 181-183
1920's

“The revolutionary artist is born into a world of clichés, of stale images and signs which no longer pierce the consciousness to express reality. He therefore invents new symbols, perhaps a whole new symbolic system.”

Herbert Read (1893–1968) English anarchist, poet, and critic of literature and art

The Philosophy of Modern Art: Collected Essays (1971).
Other Quotes

“See, all creaturely activity and all practice of virtues must fail here, for here what God works is nothing but Himself in the highest nobility of the spirit. And here there is nothing but an eternal contemplation and gazing at the light with the light and in the light. And the coming of the Bridegroom is so rapid that He is always coming and is indwelling with fathomless richness, and that He is coming anew personally, without crease, with such new brightness just as though He had never come before. For His coming consists in an eternal now, without time, which is always received with new lust and in new joy.”

John Ruysbroeck (1293–1381) Flemish mystic

The Spiritual Espousals (c. 1340)

“When the image is new, the world is new.”

Gaston Bachelard book The Poetics of Space

Source: The Poetics of Space

“My faith in the future rests squarely on the belief that man, if he doesn't first destroy himself, will find new answers in the universe, new technologies, new disciplines, which will contribute to a vastly different and better world in the twenty-first century.”

Barry Goldwater (1909–1998) American politician

With No Apologies (1979)
Context: My faith in the future rests squarely on the belief that man, if he doesn't first destroy himself, will find new answers in the universe, new technologies, new disciplines, which will contribute to a vastly different and better world in the twenty-first century. Recalling what has happened in my short lifetime in the fields of communication and transportation and the life sciences, I marvel at the pessimists who tell us that we have reached the end of our productive capacity, who project a future of primarily dividing up what we now have and making do with less. To my mind the single essential element on which all discoveries will be dependent is human freedom.

“The artefacts of a genius are distinguished by rich human content, for which he forges new images and new techniques, creates new styles. He sees himself as a unique eruption in the desert of the banal.”

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