
1980s, Simulacra and Simulation (1981)
Gothamist interview (2006)
Context: The biggest challenge in a simul is finding the right shoes! I want to look good in front of fifty people, but really sneakers are the best bet. I try to finish a simul as quickly as possible and don’t worry if I lose a game or two along the way. It becomes a manic workout. I’m literally running around playing moves as fast as my fingers and legs will go. My brain usually follows.
The simul is a great chess illusion. It makes the simul-giver seem like a genius, when really they’re just speaking their language. Chessplayers rely so heavily on instincts developed from years of training and practice. Chess is not all about thinking, there’s a lot of feeling involved.
1980s, Simulacra and Simulation (1981)
Source: Twenty Years at Hull-House (1910), Ch. 16
Context: I have come to believe … that the stage may do more than teach, that much of our current moral instruction will not endure the test of being cast into a lifelike mold, and when presented in dramatic form will reveal itself as platitudinous and effete. That which may have sounded like righteous teaching when it was remote and wordy, will be challenged afresh when it is obliged to simulate life itself.
Radio Interview, July 6 2001 http://www.geocities.jp/bobbby_b/mp3/F_18_1.MP3
2000s
The Wall Street Journal, "Comedy Comes Clean," December 1, 2006, page W12, column 1
The Precession of Simulcra, The Divine Irreference Of Images
1980s, Simulacra and Simulation (1981)
Source: Information and Decision Processes (1960), p. viii-ix
“With his death, we have lost a very great chess genius whose like we'll never see again.”
Quoted in: Edward G. Winter (1989) Capablanca: A Compendium of Games, Notes, Articles..., p. 307; on his great rival José Raúl Capablanca.
George (1973) "Soviet Cybernetics, the militairy and Professor Lerner" in: New Scientist (March 15, 1973). Vol. 57, nr. 837. p. 613