Bk. III, ch. 8.
1830s, Sartor Resartus (1833–1834)
Context: But deepest of all illusory Appearances, for hiding Wonder, as for many other ends, are your two grand fundamental world-enveloping Appearances, SPACE and TIME. These, as spun and woven for us from before Birth itself, to clothe our celestial ME for dwelling here, and yet to blind it, — lie all-embracing, as the universal canvas, or warp and woof, whereby all minor Illusions, in this Phantasm Existence, weave and paint themselves. In vain, while here on Earth, shall you endeavor to strip them off; you can, at best, but rend them asunder for moments, and look through.
Pt. I
Under Western Eyes (1911)
Context: Words, as is well known, are the great foes of reality. I have been for many years a teacher of languages. It is an occupation which at length becomes fatal to whatever share of imagination, observation, and insight an ordinary person may be heir to. To a teacher of languages there comes a time when the world is but a place of many words and man appears a mere talking animal not much more wonderful than a parrot.
"Modern Examples of Background Physics" ["Moderne Beispiele zur Hintergrundsphysik"] (1948) as translated by David Roscoe in Atom and Archetype (1992) edited by Carl Alfred Meier
Context: It seems significant that according to quantum physics the indestructibility of energy on one hand — which expresses its timeless existence — and the appearance of energy in space and time on the other hand correspond to two contradictory (complementary) aspects of reality. In fact, both are always present, but in individual cases the one or the other may be more pronounced.
Original: (it) In questo mondo che cela ingiustizia, egoismo, odio, falsità ed apparenza; tu, imponiti di essere una brava persona.
Source: prevale.net
“In the end, finding the Truth will always be tiring in a world full of appearances.”
Source: Klairet Levy, R. Interview to José Baroja. http://letras.mysite.com/jbar050923.html
Paavo Haavikko, in: John Taylor (2010), Into the Heart of European Poetry. p. 329
1951 - 1968, The Creative Act', 1957
Context: Let us consider two important factors, the two poles of the creation of art: the artist on one hand, and on the other the spectator who later becomes the posterity; to all appearances the artist acts like a mediumistic being who, from the labyrinth beyond time and space, seeks his way out to a clearing.
