Address to the Society for Psychical Research (1897)
Context: The clock runs down. I lift the weight by exerting the proper amount of energy, and in this action the law of conservation of energy is strictly obeyed. But now I have the choice of either letting the weight fall free in a fraction of a second, or, constrained by the wheelwork, in twenty-four hours. I can do which I like, and whichever way I decide, no more energy is developed in the fall of the weight. I strike a match; I can use it to light a cigarette or to set fire to a house. I write a telegram; it may be simply to say I shall be late for dinner, or it may produce fluctuations on the stock exchange that will ruin thousands. In these cases the actual force required in striking the match or in writing the telegram is governed by the law or conservation of energy; but the vastly more momentous part, which determines the words I use or the material I ignite, is beyond such a law. It is probable that no expenditure of energy need be used in the determination of direction one way more than another. Intelligence and free will here come into play, and these mystic forces are outside the law of conservation of energy as understood by physicists.
As quoted in The Chip War : The Battle for the World of Tomorrow (1989) by Fred Warshofsky, p. 21.
The dominant note is always horror. Society, apparently, cannot get along without capital punishment—for there are some people whom it is simply not safe to leave alive—and yet there is no one, when the pinch comes, who feels it right to kill another human being in cold blood. I watched a man hanged once. There was no question that everybody concerned knew this to be a dreadful, unnatural action. I believe it is always the same—the whole jail, warders and prisoners alike, is upset when there is an execution. It is probably the fact that capital punishment is accepted as necessary, and yet instinctively felt to be wrong, that gives so many descriptions of executions their tragic atmosphere. They are mostly written by people who have actually watched an execution and feel it to be a terrible and only partly comprehensible experience which they want to record; whereas battle literature is largely written by people who have never heard a gun go off and think of a battle as a sort of football match in which nobody gets hurt.
"As I Please" column in The Tribune (3 November 1944)<sup> http://alexpeak.com/twr/oocp/</sup>
As I Please (1943–1947)
Source: Facets of a Diamond: Reflections of a Healer (2002), p. 286
A matter of timing: The Guardian, Saturday 21 September 2002 http://www.guardian.co.uk/books/2002/sep/21/featuresreviews.guardianreview28/print
As quoted in The Baburnama : Memoirs of Babur, Prince and Emperor, as translated by Wheeler M. Thackston (2002), p. xxvii
“I may sink, but I'll be damned if I strike!”
His much less famous response, in the late phase of the Battle of Flamborough Head, 23 September 1779, to an inquiry by his opponent (Captain Richard Pearson of the Royal Navy ship HMS Serapis) as to whether he was surrendering his ship, the USS Bonhomme Richard, which was by this time very seriously damaged.
:This was what some of his sailors, reported in British newspapers at the time, claimed he had said; Jones's official report merely stated that he had answered "in the most determined negative".
Joe Hisaishi, who wrote music for Hayao Miyazaki's films https://www.scmp.com/lifestyle/arts-entertainment/article/1780283/studio-ghibli-composer-joe-hisaishi-talks-about-how,South China Morning Post
Page 282 of An Anthropologist On Mars By Oliver Sacks
