
Page 142
Publications, The Shah's Story (1980), On world leaders and statesmen
Of Negotiating
Essays (1625)
Context: If you would work any man, you must either know his nature and fashions, and so lead him; or his ends, and so persuade him or his weakness and disadvantages, and so awe him or those that have interest in him, and so govern him. In dealing with cunning persons, we must ever consider their ends, to interpret their speeches; and it is good to say little to them, and that which they least look for. In all negotiations of difficulty, a man may not look to sow and reap at once; but must prepare business, and so ripen it by degrees.
Page 142
Publications, The Shah's Story (1980), On world leaders and statesmen
But is there less in the people of rank who live in so strange a forgetfulness of their natural condition?
Discourses on the Condition of the Great
Source: The Bourgeois: Catholicism vs. Capitalism in Eighteenth-Century France (1927), pp. 160-162
Discourses on the Condition of the Great
Source: Memory: A contribution to experimental psychology, 1885, p. 3
As quoted in The Artist Observed: 28 interviews with contemporary artists (1991) by John Gruen, p. 3
Context: I feel ever so strongly that an artist must be nourished by his passions and his despairs. These things alter an artist whether for the good or the better or the worse. It must alter him. The feelings of desperation and unhappiness are more useful to an artist than the feeling of contentment, because desperation and unhappiness stretch your whole sensibility.
“According as the man is, so must you humor him.”
Act III, scene 3, line 77 (431).
Adelphoe (The Brothers)
12 September 1936, Advice to the pupils of the Bishop Cotton School, Simla, also quoted in Speeches and Statements of the Marquess of Linlithgow, p. 19-20