
Attributed to Rodin in: Southwestern Art Vol. 6 (1977). p. 20; Partly cited in: A Toolbox for Humanity: More Than 9000 Years of Thought (2004) by Lloyd Albert Johnson, p. 7
1930s and later
Attributed to Rodin in: Southwestern Art Vol. 6 (1977). p. 20; Partly cited in: A Toolbox for Humanity: More Than 9000 Years of Thought (2004) by Lloyd Albert Johnson, p. 7
1950s-1990s
Context: The artist must learn the difference between the appearance of an object and the interpretation of this object through his medium. The artist must create a spark before he can make a fire and before art is born, the artist must be ready to be consumed by the fire of his own creation.
Attributed to Rodin in: Southwestern Art Vol. 6 (1977). p. 20; Partly cited in: A Toolbox for Humanity: More Than 9000 Years of Thought (2004) by Lloyd Albert Johnson, p. 7
1930s and later
“Just as camphor is consumed by the flames of fire, so also, mind must be consumed by soul-fire.”
4
The Chidakasha Gita (1927)
E. H. Gombrich (1962), quoted in: Robert Maxwell Young. Mind, Brain, and Adaptation in the Nineteenth Century, 1970. p. 101.
Original: Un artista senza cuore non vale nulla. Prima di creare qualsiasi opera, il vero artista dà voce al suo cuore.
Source: prevale.net
The Dagger with Wings (1926)
“The artist creates his own elite, and the elite its own artists.”
Source: Art and Illusion: A Study in the Psychology of Pictorial Representation
Source: Motivation and Personality (1954), p. 93.
Context: A musician must make music, an artist must paint, a poet must write, if he is to be ultimately at peace with himself. What a man can be, he must be. This need we may call self-actualization. This term, first coined by Kurt Goldstein, is being used in this paper in a much more specific and limited fashion. It refers to the desire for self-fulfillment, namely, to the tendency for him to become actualized in what he is potentially. This tendency might be phrased as the desire to become more and more what one is, to become everything that one is capable of becoming.
Quotation made in an article published in 1914. Strauss had refused to sign the Manifesto of German artists and intellectuals supporting the German role in the war. Other signatories included Strauss' friends and colleagues, such as Max Reinhardt, Richard Dehmel, Max Liebermann, Engelbert Humperdink and Felix Wiengartner. The original article quoting Strauss was by Richard Specht, and is quoted by Romain Rolland in his diary entry, found on page 160 of Richard Strauss and Romain Rolland, edited by Rollo Myers, Calder and boyars, London, 1989.
Other sources