“When a writer doesn't show his face, he becomes a local symptom of God's famous reluctance to appear.”

Maiam Magazine, in Kamal Hassan Biography http://www.imdb.com/name/nm0352032/bio

Source: Unwind

Visions
Context: Then he came from the altar, showing himself as a child. And that child had the very same appearance that he had in his first three years. And he turned to me and from the ciborium he took his body in his right hand and in his left hand he took a chalice that seemed to come from the altar, but I know not where it came from. Thereupon he came in the appearance and the clothing of the man he was on that day when he first gave us his body, that appearance of a human being and a man, showing his sweet and beautiful and sorrowful face, and approaching me with the humility of the one who belongs entirely to another. Then he gave himself to me in the form of the sacrament, in the manner to which people are accustomed. Then he gave me to drink from the chalice in the manner and taste to which people are accustomed. Then he came to me himself and took me completely in his arms and pressed me to him. And all my limbs felt his limbs in the full satisfaction that my heart and my humanity desired. Then I was externally completely satisfied to the utmost satiation.

Source: Faith Beyond Resentment: Fragments Catholic and Gay (2001), "Jesus' fraternal relocation of God", p. 76.

"The Inwardness of Non-Co-operation". Quoted in Freedom's Battle: Being a Comprehensive Collection of Writings and Speeches (1922), p. 144 https://books.google.com/books?id=ZRXCAwAAQBAJ&pg=PA144.
1920s

Homecoming saga, The Ships Of Earth (1994)

Source: The borderless world, 1990, p. 86

Nonconformity (1953/1996)
Context: The American middle class's faith in personal comfort as an end in itself is, in essence, a denial of life. And it has been imposed upon American writers and playwrights strongly enough to cut them off from their deeper sources. The shortcut to comfort is called “specialization,” and in an eye-ear-nose-and-throat doctor this makes sense. But in a writer it is fatal. The less he sees of other writers the more of a writer he will ultimately become. When he sees scarcely anyone except other writers, he is ready for New York.