“Sibelius is unquestionably a leader in the front rank of symphonic composers. He has got out of the ruts worn by his predecessors far more completely than Brahms got away from Beethoven, or even Richard Strauss from Wagner. If someone would only burn Finlandia he would come to our young people as an entirely original inventor of a new art form and a new harmony technique.”

George Bernard Shaw, in the Manchester Guardian, November 1, 1938.
Criticism

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Jean Sibelius12

Finnish composer of the late Romantic period 1865–1957

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Frontiers of Meaning: Three Informal Lectures on Music (1994), Ch. 2 : How to Become Immortal

“The prerequisite of contrapuntal art, more conspicuous in the work of Bach than in that of any other composer, is an ability to conceive a priori of melodic identities which when transposed, inverted, made retrograde, or transformed rhythmically will yet exhibit, in conjunction with the original subject matter, some entirely new but completely harmonious profile.”

Glenn Gould (1932–1982) Canadian pianist

"So You Want To Write A Fugue", Glenn Gould Reader p240

“I hope to stand for a new harmony, a greater tolerance. We've come far, but I think we need a new harmony among the races in our country. And we're on a journey into a new century, and we've got to leave that tired old baggage of bigotry behind.”

George H. W. Bush (1924–2018) American politician, 41st President of the United States

RNC acceptance speech (1988)

“I've always ranked the Brahms as the Mount Everest of all concertos -- and the Beethoven, of course.”

Sarah Chang (1980) violinist

NEWSWEEK 1999 http://www.jeremycaplan.com/SarahChangInterview.htm, Interview with Barnes & Noble.com June 2003 http://music.barnesandnoble.com/features/interview.asp?NID=706502&z=y

“A new leader has to be able to change an organization that is dreamless, soulless and visionless … someone's got to make a wake up call.”

Warren Bennis (1925–2014) American leadership expert

Warren Bennis, in Reinventing Leadership : Strategies to Empower the Organization (2005), by Warren G. Bennis and Robert Townsend, p. 91
2000s

“The fundamental difference between composing for a nobleman or a personal patron in general and working for the anonymous concert public is that the commissioned work is usually intended for a single performance, whereas the concert piece is written for as many repeats as possible. That explains not only the greater degree of care with which such a work is often composed but also the more exacting way in which the composer presents it. Now that it is possible to create works which would not be consigned to oblivion so quickly as commissioned works, he 76 sets out to create ‘immortal’ works. Haydn already composes much more cautiously and slowly than his predecessors. But even he writes over a hundred symphonies; Mozart writes only half as many and Beethoven only nine.”

Arnold Hauser (1892–1978) Hungarian art historian

Source: The Social History of Art, Volume III. Rococo, Classicism and Romanticism, 1999, Chapter 2. The New Reading Public