“What was the secret of Morphy's invincibility? I think it was a combination of a unique natural talent and brilliant erudition. His play was the next, more mature stage in the development of chess. Morphy had a well-developed 'feeling for position', and therefore he can be confidently regarded as the 'first swallow”

— Paul Morphy

the prototype of the strong 20th century grandmaster."
Garry Kasparov (2003). On My Great Predecessors. Gloucester Publishers plc. Vol. 1, p. 43. ISBN 1857443306.
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Paul Morphy16

American chess player 1837–1884

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“Anderssen voiced it well when asked why he did not play as brilliantly as usual in his game with Morphy, when he replied: "Morphy will not let me."”

Paul Morphy (1837–1884) American chess player

About <br class="br">Source: As quoted in Lasker's Chess Magazine https://en.wikisource.org/wiki/Lasker%27s_Chess_Magazine/Volume_1

“Morphy's principal strength does not rest upon his power of combination but in his position play and his general style…. Beginning with la Bourdonnais to the present, and including Lasker, we find that the greatest stylist has been Morphy. Whence the reason, although it might not be the only one, why he is generally considered the greatest of all.”

Paul Morphy (1837–1884) American chess player

José Raúl Capablanca, in Pablo Morphy by V. F. Coria and L. Palau.
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José Raúl Capablanca (1888–1942) Cuban chess player

In Pablo Morphy by V. F. Coria and L. Palau.

“Morphy and Capablanca had enormous talent, they are two of my favorites. Steinitz was very great too. Alekhine was great, but I am not a big fan of his. Maybe it’s just my taste. I’ve studied his games a lot, but I much prefer Capablanca and Morphy. Alekhine had a rather heavy style, Capablanca was much more brilliant and talented, he had a real light touch. Everyone I’ve spoken to who saw Capablanca play still speak of him with awe. If you showed him any position he would instantly tell you the right move. When I used to go to the Manhattan Chess Club back in the fifties, I met a lot of old-timers there who knew Capablanca, because he used to come around to the Manhattan club in the forties – before he died in the early forties. They spoke about Capablanca with awe. I have never seen people speak about any chess player like that, before or since. Capablanca really was fantastic. But even he had his weaknesses, especially when you play over his games with his notes he would make idiotic statements like 'I played the rest of the game perfectly.”

Bobby Fischer (1943–2008) American chess prodigy, chess player, and chess writer

But then you play through the moves and it is not true at all. But the thing that was great about Capablanca was that he really spoke his mind, he said what he believed was true, he said what he felt. <br class="br">Radio Interview, October 16 2006 http://www.geocities.jp/bobbby_b/mp3/F_35_3.MP3

“…Morphy was stronger than anyone he played with, including Anderssen”

Paul Morphy (1837–1884) American chess player

Wilhelm Steinitz, International Chess Magazine 1885.
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“Genius is a starry word; but if there ever was a chess player to whom that attribute applied, it was Paul Morphy.”

Paul Morphy (1837–1884) American chess player

Andrew Soltis (in Golombek's Encyclopedia of Chess, New York, 1977)
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“After the passage of a century, Morphy still remains the most glamorous figure that has ever appeared in the chess world.”

Paul Morphy (1837–1884) American chess player

Edward Lasker (in The Adventure of Chess, 2nd Edition, New York, 1959)
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“It has been truly said that Morphy was at once the Caesar and the Napoleon of chess. He revolutionized chess. He brought life and dash and beauty into the game at a time when an age of dullness was about to set in and he did this at a stroke. Then he quit forever. Only two years from the beginning to the end. The negotiations for some modern matches have taken that long!”

Paul Morphy (1837–1884) American chess player

J. A. Galbreath (American Chess Bulletin, October, 1909)
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