“Don Donald was clearly accustomed to addressing people whose only way of responding was to nod worshipfully and take notes. He did not, in other words, leave a lot of breaks in his testimony to allow for discussion. For the moment, that was fine, since it made it easier for Richard to drink.”

Day 2
Reamde (2011), Part I: Nine Dragons

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Neal Stephenson167

American science fiction writer 1959

Diana Wynne Jones (1934–2011) English children's fantasy writer

Source: Dalemark Quartet, Drowned Ammet (1977), p. 233.

“I liked Truffaut a lot, I've felt a lot of admiration for his way to address the audience, and his storytelling…. La nuit américaine is adorable, and another film I like to see is L'enfant sauvage, with its fine humanism.”

Ingmar Bergman (1918–2007) Swedish filmmaker

On the works of filmmaker Francois Truffaut
Variant translation: I liked Truffaut enormously, I admired him. His way of relating with an audience, of telling a story, is both fascinating and tremendously appealing. It's not my style of storytelling, but it works wonderfully well in relation to the film medium.
Jan Aghed interview (2002)

“[Donald Trump is] clearly racist… It fits into a pattern that we have seen since the beginning of his career, maybe through his father's career, frankly. There's been a consistency, pattern of harsh judgment against black and brown people.”

David Brooks (1961) American journalist, commentator and editor

As quoted in "Shields and Brooks on Trump's 's***hole' comments, 'Fire and Fury' fallout" https://www.pbs.org/newshour/show/shields-and-brooks-on-trumps-shole-comments-fire-and-fury-fallout#transcript (14 January 2018), PBS Newshour <br class="br">2010s

“The word … becomes "one's own" only when the speaker populates it with his own intention, his own accent, when he appropriates the word, adapting it to his own semantic and expressive intention. Prior to this moment of appropriation, the word does not exist in a neutral and impersonal language (it is not, after all, out of a dictionary that the speaker gets his words!), but rather it exists in other people's mouths, in other people's contexts, serving other people's intentions.”

Mikhail Bakhtin (1895–1975) Philosopher, scholar

Source: "Discourse in the Novel" (1935), pp. 293-294

“…Clemenza's overriding responsibility is to his family. He takes a moment out of his routine madness to remember that he had promised his wife that he would bring dessert home. His instruction to his partner in crime is an entire moral manifesto in six little words: 'Leave the gun. Take the cannoli.”

Sarah Vowell book Take the Cannoli

On the Godfather and family
Take the Cannoli (2000)

“[Hynkel addressing the crowds, referring to his colleagues: clearly modelled upon Göring and Goebbels]
Hynkel: Herring shouldn smelten fine from Garbitsch, und Garbitsch shouldn smelten fine from Herring. Herring und Garbitsch… [He clasps his hands together]
Translator: His excellency has just referred to the struggles of his early days shared by his two loyal comrades.”

Charlie Chaplin (1889–1977) British comic actor and filmmaker

The Great Dictator (1940)

“A structure made up of fine threads, so many and so fine that even the strongest magnification of the microscope was hardly sufficient to allow all of them to be seen clearly. Some of the threads ran together in bundles and in layers in specific directions; others lay seemingly randomly distributed every which way through the tissue. Embedded in this felted mass of fibers, it was possible to discern spherical structures, the nuclei of the nerve cells…”

Valentino Braitenberg (1926–2011) Italian-Austrian neuroscientist

Braitenberg (1948), quoted in: Elke Maier (2012) " Spying on God http://www.mpg.de/6348834/S005_Flashback_086-087.pdf" in Max Planck Research, March 2012 <br class="br">Description of Braitenberg's first experience observing brain tissue under a microscope as medical student in Rome.