R. S. Thomas : Priest and Poet, BBC TV (2 April 1972)
Context: Any form of orthodoxy is just not part of a poet's province … A poet must be able to claim … freedom to follow the vision of poetry, the imaginative vision of poetry … And in any case, poetry is religion, religion is poetry. The message of the New Testament is poetry. Christ was a poet, the New Testament is metaphor, the Resurrection is a metaphor; and I feel perfectly within my rights in approaching my whole vocation as priest and preacher as one who is to present poetry; and when I preach poetry I am preaching Christianity, and when one discusses Christianity one is discussing poetry in its imaginative aspects. … My work as a poet has to deal with the presentation of imaginative truth.
“What is new poetry? The difference is not mere details of form, measure rhyme schemes or diction, but a return to contemporary speech, thought, imagination and spiritual life, coupled with oriental (Japan & China) and cosmopolitan influences, and a direction of vision, with perfection of form and delicacy of feeling.”
The New Poetry -An anthology ed Monroe & Henderson Macmillan 1918
The New Poetry (1918)
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Harriet Monroe 4
American poet and editor 1860–1936Related quotes
“Poetry is a form of necessary speech.”
How to Read a Poem And Fall in Love with Poetry (1998)
Interview with Joseph Pearce, Sr. (2003)
Context: The thing is that religion itself cannot but be dynamic which is why "return" is an incorrect term. A return to the forms of religion which perhaps existed a couple of centuries ago is absolutely impossible. On the contrary, in order to combat modern materialistic mores, as religion must, to fight nihilism and egotism, religion must also develop, must be flexible in its forms, and it must have a correlation with the cultural forms of the epoch. Religion always remains higher than everyday life. In order to make the elevation towards religion easier for people, religion must be able to alter its forms in relation to the consciousness of modern man.
"The Dangerous Myth of Creationism" in Penthouse (January 1982); reprinted as Ch. 2 : "Creationism and the Schools" in The Roving Mind (1983), p. 16
General sources
Introduction
The Wedge (1944)
Context: Each speech having its own character, the poetry it engenders will be peculiar to that speech also in its own intrinsic form. The effect is beauty, what in a single object resolves our complex feelings of propriety.