“Literary imagination is an aesthetic object offered by a writer to a lover of books.”

—  Gaston Bachelard

A Retrospective Glance at the Lifework of a Master of Books
Fragments of a Poetics of Fire (1988)

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "Literary imagination is an aesthetic object offered by a writer to a lover of books." by Gaston Bachelard?
Gaston Bachelard photo
Gaston Bachelard35
French writer and philosopher 1884–1962

Related quotes

“First one gets works of art, then criticism of them, then criticism of the criticism, and, finally, a book on The Literary Situation, a book which tells you all about writers, critics, publishing, paperbacked books, the tendencies of the (literary) time, what sells and how much, what writers wear and drink and want, what their wives wear and drink and want, and so on.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“ ‘Very Graceful Are the Uses of Culture’ ”, p. 211
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

Baruch Spinoza photo

“The attention that literary artists have lavished on Spinoza is remarkable. Writers have not only shaped their aesthetics by reflection on Spinoza, have not only inserted his views into the inner lives and dialogues of their characters, but have molded the man himself into a protagonist in their novels, poems, and plays. This last aspect of the literary fascination with Spinoza is particularly noteworthy. The person of Benedictus Spinoza has drawn, over the centuries, unusual attention, and not only from literary writers.”

Baruch Spinoza (1632–1677) Dutch philosopher

Rebecca Goldstein, in her article 'Literary Spinoza,'. In: The Oxford Handbook of Spinoza, edited by Michael Della Rocca (Oxford: Oxford University Press, 2017)
G - L

Jorge Luis Borges photo

“Personally, I am a hedonistic reader; I have never read a book merely because it was ancient. I read books for the aesthetic emotions they offer me, and I ignore the commentaries and criticism.”

Jorge Luis Borges book Seven Nights

Source: Seven Nights

Dana Gioia photo

“The writer needs good works—good literary ones”

Dana Gioia (1950) American writer

33
Essays, Can Poetry Matter? (1991), The Catholic Writer Today (2013)

Nelson Algren photo

“I've always felt strongly that a writer shouldn't be engaged with other writers, or with people who make books, or even with people who read them. I think the farther away you get from the literary traffic, the closer you are to sources.”

Nelson Algren (1909–1981) American novelist, short story writer

"The Art of Fiction No. 11" (1955)
Context: I don't know many writers. [... ] Well, I dunno, but I do have the feeling that other writers can't help you with writing. I've gone to writers' conferences and writers' sessions and writers' clinics, and the more I see of them, the more I'm sure it's the wrong direction. It isn't the place where you learn to write. I've always felt strongly that a writer shouldn't be engaged with other writers, or with people who make books, or even with people who read them. I think the farther away you get from the literary traffic, the closer you are to sources. I mean, a writer doesn't really live, he observes.

Terry Eagleton photo

“What was needed was a literary theory which, while preserving the formalist bent of New Criticism, its dogged attention to literature as aesthetic object rather than social practice, would make something a good deal more systematic and 'scientific' out of all this. The answer arrived in 1957, in the shape of the Canadian Northrop Fryes mighty 'totalization' of all literary genres, Anatomy of Criticism.”

Terry Eagleton (1943) British writer, academic and educator

Source: 1980s, Literary Theory: An Introduction (1983), Chapter 3, 79

Alexander Calder photo

“The aesthetic value of these objects cannot be arrived at by reasoning. Familiarization is necessary.”

Alexander Calder (1898–1976) American artist

En.wikiquote.org - Alexander Calder / Quotes / 1930s / Statement from Modern Painting and Sculpture (1933)
1930s, Statement from Modern Painting and Sculpture (1933)

Epifanio de los Santos photo

“Known as supreme in the Philippine literary world, the keenest critic and writer we ever had.”

Epifanio de los Santos (1871–1928) Filipino politician

Dr, Trinidad Pardo de Tavera.
BALIW

Noam Chomsky photo

“… the Bible is probably the most genocidal book in the literary canon.”

Noam Chomsky (1928) american linguist, philosopher and activist

Quotes 2000s, 2004, Interview by Wallace Shawn, 2004 <br class="br">Context: You can find things in the traditional religions which are very benign and decent and wonderful and so on, but I mean, the Bible is probably the most genocidal book in the literary canon. The God of the Bible - not only did He order His chosen people http://www.bible.org/netbible/1sa15.htm to carry out literal genocide - I mean, wipe out every Amalekite to the last man, woman, child, and, you know, donkey and so on, because hundreds of years ago they got in your way when you were trying to cross the desert - not only did He do things like that, but, after all, the God of the Bible was ready to destroy every living creature on earth because some humans irritated Him. That&#x27;s the story of Noah. I mean, that&#x27;s beyond genocide - you don&#x27;t know how to describe this creature. Somebody offended Him, and He was going to destroy every living being on earth? And then He was talked into allowing two of each species to stay alive - that&#x27;s supposed to be gentle and wonderful.

“The modern reading of ancient literature involves a mode of reception that is not merely scholarly or antiquarian. Instead, aesthetic experience allows for a direct relationship between reader and work, despite the historical distance. Today’s consumer cannot participate in the ancient economy by trying to use an Athenian coin as legal tender; but today’s reader can participate in the ancient literary imagination though an authentic engagement with the Homeric text (no matter how much contemporary circumstances necessarily also enter into that encounter with the ancient text). Thus the historicist imperative of periodization evidently stands at odds with the potential for immediacy associated with literary reception and aesthetic experience.”

Russell Berman (1950) American academic

Source: Fiction Sets You Free: Literature, Liberty and Western Culture (2007), p. 14.

Related topics