“In the discussion we had last year at Siegen, in this regard, emphasis was put on the sort of emptiness that has to be obtained from mind and body by a Japanese warrior-artist when doing calligraphy, by an actor when acting: the kind of suspension of ordinary intentions of mind associated with habitus, or arrangements of the body. It’s at this cost, said Glenn and Andreas, … that a brush encounters the “right” shapes, that a voice and a theatrical gesture are endowed with the “right” tone and look. The soliciting of emptiness, this evacuation—very much the opposite of overweening, selective identificatory activity—doesn’t take place without some suffering. … The body and mind have to be free of burdens for grace to touch us.”
Source: Thought Without a Body? (1994), p. 296
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Jean-François Lyotard 26
French philosopher 1924–1998Related quotes

Source: Seth, Dreams & Projections of Consciousness, (1986), p. 316-317, quoting from Session 261

“I put people in body bags when I'm right.”
http://archive.southcoasttoday.com/daily/01-99/01-16-99/c01sp085.htm
On himself

"Of the Eternal Feminine" (1893), cited from Out of the East; and, Kokoro (Boston: Houghton Mifflin, 1922) p. 79.

King and No King http://poetry.poetryx.com/poems/1521/
The Green Helmet and Other Poems (1910)
Context: I that have not your faith, how shall I know
That in the blinding light beyond the grave
We’ll find so good a thing as that we have lost?
The hourly kindness, the day’s common speech,
The habitual content of each with each
When neither soul nor body has been crossed.