“It seems ironic that for most of my career I have been trying to perfect smooth and life-like animation action, but for Talos (which was the longest animation section of the film), it was necessary to create a deliberately stiff and mechanical movement in keeping with a bronze statue that had sprung to life.”

Source: An Animated Life (2003), p. 157

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Ray Harryhausen16

American animator 1920–2013

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