“I think one of the things if you look at minimalism or expressionism, there's various movements in modern composition that I think you can see really natural relations in pop music, so I mean I always look to that in pop music.”

“The point is there's a boring homogenisation of popular culture, so really the problem is there's nothing wrong, the machine works too smoothly. I think the pop music machine is much more fun when it's broken. Things are always more fun when they're broken. No one was ever consulted about this. There was never a Senate committee to say we must produce pop music every day since 1953 or whatever. It's time to lay down the gauntlet.”

“I thought it was sad, you know, that they had that pop concert to commemorate Diana. I mean, she didn't have much to do with pop music, did she? They should've done something that celebrated what was really great about her life: By staging a gangbang in a minefield.”

“Andre [Recke] and I and my mom worked very hard to really get good music that I related to and was age-appropriate for me and wasn't just cheesy pop stuff.”

“I'm not crossing over from anything. I think of it as pop music with different influences. "When I walk in the music store, [my] album is under classical/pop/easy listening. It's hard to say what genre it is. It's genreless. I try not to define what it is. I let the audience define it. Because for me, it's just me.”

“Pop music often tells you everything is OK, while rock music tells you that it's not OK, but you can change it.”

“There’s a really interesting thing about despair, I think. It has a spark in it of deep motivation. I think despair can be described as looking at every possible scenario and seeing no hopeful one. But what that means is, if you can present someone in despair with one scenario that looks hopeful – that looks like a real possibility – then there’s this immense wealth of motivation to drive toward it, because despair is not a nice place to be.”

“I remember an old proverb. It says that youth thinks itself wise just as drunk men think themselves sober. Youth is not wise! Youth knows nothing about life! Youth knows nothing about anything except for massive cliches which for the most part through the media of pop songs are just foisted on them by middle-age entrepreneurs and exploiters who should know better. When we start thinking that pop music is close to God, then we'll think pop music is aesthetically better than it is. And it's only the aesthetic value of pop music that we're really concerned. I mean the only way we can judge Wagner or Beethoven or any other composer is aesthetically. We don't regard Wagner or Beethoven nor Shakespeare or Milton as great teachers. When we start claiming for Lennon or McCartney or Maharishi or any other of these pop prophets the ability to transport us to a region where God becomes manifest then I see red. We're satisfied with our little long playing record, ten pop numbers or thereabouts a side. This is great art, we've been told this by the great pundits of our age. And in consequence why should we bother to learn? There's nothing more delightful than to be told: "You don't have to learn, my boy. There's nothing in it. Modern art? There's nothing in it." When you're told these things you sit down with a sigh of relief: "Thank God I don't have to learn, I don't have to travel, I don't have to exert myself in the slightest. I am what I am. Youth is youth. Pop is pop. There's no need to progress. There's no need to do anything. Let us sit down, smoke our marijuana (an admirable thing in itself but not the end of anything), let us listen to our records and life has become a single moment. And the single moment is eternity. We're with God. Finis!”

“There's no record industry, and so musicians I know, because I get mail from young musicians, I mean, they're really just struggling to survive, because they're not gonna get a record contract! So what are they doing? To survive? Like I did? I mean, okay I drove trucks, and sold caviar and repaired instruments just to survive. But in the end, you know, I'm in the studio, you know, recording rock music, pop music, whatever! Whatever gives me money to put in my, you know, food in my mouth. And so there's a lot of great musicians today, they're just looking for a gig! And what are the gigs that are going around? The gigs with pop bands or with smooth jazz, funky jazz, you know, a lot of this kind of cliched music. I'm sorry to criticize it like that, but I grew up with Tony (Williams) and you know Miles (Davis), (John) Coltrane, and real things, where there's blood all over the floor, blood all over the stage, that's what the passion's all about.”

“I often use the same harmonies as pop music because the complexity of what I do is elsewhere.”