
„Artists who don't paint aren't artists.“
— Charles Thomson (artist) British artist 1953
Milner, Frank (ed): The Stuckists Punk Victorian [National Museums Liverpool, 2005], p. 134
From The Stuckist Manifesto (1999) co-written with Billy Childish
Interview tapes Cotton & Mullineux
— Charles Thomson (artist) British artist 1953
Milner, Frank (ed): The Stuckists Punk Victorian [National Museums Liverpool, 2005], p. 134
From The Stuckist Manifesto (1999) co-written with Billy Childish
— Billy Childish British musician 1959
Milner, Frank (ed): The Stuckists Punk Victorian [National Museums Liverpool, 2005], p. 134
From The Stuckist Manifesto, (1999) co-written with Charles Thomson
— Morrissey English singer 1959
From Oor magazine (February 1987)
In interviews etc., About interviews
— Harold Rosenberg American writer and art critic 1906 - 1978
Źródło: Art & Other Serious Matters, (1985), p. 191, "Saul Steinberg"
— Pricasso Australian painter 1949
[Whitsunday Times staff, Comedy night a week away, Whitsunday Times, Airlie Beach, Australia, 3 May 2012, APN Newspapers Pty Ltd.]
About
— Marsden Hartley American artist 1877 - 1943
In a letter to his sister at the end of his life; as quoted in 'The return of the Native' by Joseph Phelan, Artcyclopedia online
1931 - 1943
— Frank Stella American artist 1936
Źródło: Quotes, 1960 - 1970, The Pratt lecture (1960), p. 117
— Lucian Freud British painter and engraver 1922 - 2011
Lucian Freud: Paintings (1987), p. 20
— Aubrey Beardsley English illustrator and author 1872 - 1898
As quoted in Aubrey Beardsley : A Biography (1999) by Matthew Sturgis, p. 189
— William Baziotes American painter 1912 - 1963
Quote from Baziotes' text for the symposium 'The Creative process', Art Digest Vol. 28, no 8, 15; January 1954, p. 33
Baziotes is referring here to the many art-debates and exchanges between the New York Abstract Expressionist artists
1950s
— Jackson Pollock American artist 1912 - 1956
As quoted in Abstract Expressionism: Creators and Critics, ed. Clifford Ross, Abrahams Publishers, New York, 1990, p. 138
1940's, Art and Architecture (1944)
— Andy Warhol American artist 1928 - 1987
Quote of Warhol in Andy, My true Story 3, Gretchen Berg, Los Angeles Free Press (17 March 1967); as quoted in Andy Warhol, retrospective, Art and Bullfinch Press / Little Brown, 1989, pp. 457 – 467
1963 - 1967
— Gustave Courbet French painter 1819 - 1877
Quote in an open letter ('Credo'), (Paris, end of December 1861), published in the 'Courier du Dimanche', (addressed to prospective students); as quoted in Letters of Gustave Courbet, transl. & ed. Petra ten-Doesschate Chu, University of Chicago Press 1992, pp. 203-204
1860s
— Arshile Gorky Armenian-American painter 1904 - 1948
Źródło: posthumous, Movements in art since 1945, p. 15: (in Gorky Memorial Exhibition, Schwabacher pp. 12)
— A.R. Ammons American poet 1926 - 2001
Paris Review interview (1996)
— Gustave Courbet French painter 1819 - 1877
1860s, Realist Manifesto' - an open letter, 1861
— Jan Mankes Dutch painter 1889 - 1920
translation from original Dutch: Fons Heijnsbroek
(original Dutch: citaat van Jan Mankes, in het Nederlands:) Schilderen is.. ..nooit een afbeelding geven der stoffelijke zaken, maar een psychische functie, een uiten hoe zijn geest [van de kunstenaar] reageert ten opzichte der dingen. Dat is dus een heel verschil met: schilderen is de schoonheid der dingen laten zien.
Quote of Jan Mankes in a letter to his maceneas A.A.M. Pauwels in The Hague; as cited by J.R. de Groot in 'De bekoring van het gewone - Het werk van Jan Mankes https://www.dbnl.org/tekst/_ons003199001_01/_ons003199001_01_0014.php', p. 102
undated quotes
— Rembrandt van rijn Dutch 17th century painter and etcher 1606 - 1669
Statement attributed to Rembrandt in early biographies, as quoted in The Rise of the Cult of Rembrandt: Reinventing an Old Master in Nineteenth-Century France (2003), by Alison MacQueen
One of the popular aphorisms about Rembrandt's paintings, drawn from his early biographies in early 19th century and repeatedly attributed to the artist by the French writers and artist, Rise of the Cult of Rembrandt: Reinventing an Old Master in Nineteenth-Century France, 2003,p. 287 https://books.google.nl/books?id=N0dVqAsR5k0C&pg=PA292&lpg=PA292&dq=The+Rise+of+the+Cult+of+Rembrandt:+Reinventing+an+Old+Master+in+Nineteenth-century+France&source=bl&ots=SgL2TN2Xct&sig=ZJuOkH35vmifBkzcu5ASLdLyhTI&hl=en&sa=X&ved=0ahUKEwjx17OkrpfVAhWKnBoKHQlxA0oQ6AEIVzAJ#v=onepage&q=The%20Rise%20of%20the%20Cult%20of%20Rembrandt%3A%20Reinventing%20an%20Old%20Master%20in%20Nineteenth-century%20France&f=false/The
undated quotes
— Oscar Wilde, książka Portret Doriana Graya
Źródło: The Picture of Dorian Gray