“My dear Hoschedé, I do not know if in Paris it is the same weather as here, it is probable and so you will be able to understand my discouragement. I am heartbroken, and I absolutely must share with you all my disillusionment; for nearly two months, I have given myself a lot of trouble without result. You do not believe it perhaps, but it is so: I have not lost an hour and would have reproached myself to have taken even a day to come see our exhibition, just out of the fear of losing a single good painting session, an hour of sun. I alone can know my anxieties and the trouble that I give myself to finish canvases that don't even satisfy me and please so few people. In a word, I am absolutely discouraged, not seeing, not hoping in any future... I feel all too well the void that is being made around me and the impossibility of facing up to my part of our expenses if we were to continue living together... I see everything in black, in pain... Please believe all the sorrow that I have in causing you trouble.”

— Claude Monet

In a letter to Ernest Hoschedé, May 15, 1879 (W, letter, 158); as cited in: Mary M. Gedo (2013) Psychoanalytic Perspectives on Art. p. 123
1870 - 1890

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Claude Monet 87

French impressionist painter 1840–1926

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“I do not understand your silence you know all the same how interested I always am in what you are doing. you also know that there are not many of us who understand each other we have always got on well together. I have seen and I see every day how little people like us[. ] Between ourselves there are things we cannot say to others…. you cannot imagine how little I find myself in sympathy with other people….- I do not want to lose another day, one hour this year I have no hope I have lost it and you know how unlike me that is. at the moment I have several studies to do at the Louvre order[s] which are going to bring me many others [p. 2] as soon as this time has passed I want to do two large pictures for the Salon[. ] I think of nothing else… I am becoming more and more the Fantin of the old days you know here I am today but neither discouraged nor bored. I have my own views now nothing can distract me..”

Henri Fantin-Latour (1836–1904) painter from France

quote from a letter of Fantin-Latour, Paris, July/September 1868, to James Whistler in London; from The Correspondence of James McNeill Whistler - Repository: Glasgow University Library http://www.whistler.arts.gla.ac.uk/correspondence/people/display/?cid=1085&nameid=Fantin_Latour_IH&sr=0&rs=76&surname=&firstname= - System Number: 01085; Call Number: MS Whistler F 16.

“Frankly, this is my position: I have been painting for two years, and my only models have been your [ Monet's ] own works; I have been following the wonderful path you broke for us. I have always worked regularly and conscientiously, but without advice or help, for I do not know any impressionist painter who would be able to guide me, living as I am in an environment more or less hostile to what I am doing. And so I fear I may lose my way, and I beg you to let me see you, if only for a short visit. I should be happy to show you five or six studies; perhaps you would tell me what you think of them and give me the advice I need so badly, for the fact is that I have the most horrible doubts, having always worked by myself, without teacher, encouragement, or criticism.”

Paul Signac (1863–1935) French painter

In a letter to Claude Monet, 1880; quoted by Geffroy: Claude Monet, vol. I, p. 175; as quoted by John Rewald, in Georges Seurat', a monograph https://ia800607.us.archive.org/23/items/georges00rewa/georges00rewa.pdf; Wittenborn and Compagny, New York, 1943. p. 15
In 1880 an exhibition of the works of Claude Monet had - as Signac was to say later - 'decided his career,' - and after his first efforts as an impressionist Signac had ventured to appeal to Monet, writing him this sentence in his letter

“I have been singularly hard with myself. I have had to be. You must realize that this is so, since you have, at times, reproached me for it, and were astonished because I had so little confidence in myself. I have been, or seemed, hard with everyone because I was carried away by a sort of brutality born of my distrust in myself and my ill-humor. I have felt so badly equipped, so soft, in spite of the fact that my attitude towards art seemed to me so just. I was disgusted with everyone, and especially myself. I ask your pardon, then, if, with this damned art as an excuse, I have wounded your noble and intelligent spirit; perhaps even your heart..”

Edgar Degas (1834–1917) French artist

"The Sensitive Artist" (p. 43)
quote from Degas' letter to a friend; but unknown because Vollard did not want to reveal the name
posthumous quotes, Degas: An Intimate Portrait' (1927)

“What I lack are the skills of painting, the profession which I don't know, and now I see that the French [artists] possess this so extremely strong. I do believe that you can learn it all here. I am in Paris now. When someone is richer than me and he wants me to stay here for a year or half a year (for a few thousand francs) my future will have a lot of more certainty than when I must go back to Holland after eight days... I hope you will be able to fulfill my wish; I also put enough trust in you that you will do this, if you can. Waiting for your letter with a lot of anxiety, I remain”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

G.H. Breitner (translation from the original Dutch, Fons Heijnsbroek)
version in original Dutch (citaat van Breitner's brief, in het Nederlands:) Wat mij mankeert is de manier van schilderen, 't métier dat ik niet ken, en wat ik nu zie dat de Franschen zoo buitengewoon sterk bezitten. en wat ik wel geloof dat men hier leeren kan. Ik ben nu in Parijs. Wanneer iemand rijker is dan ik mij hier een jaar of een half jaar (voor een paar duizend francs) wil laten blijven, is mijn toekomst vrij wat zekerder, dan dat ik na acht daag weer naar Holland moet terugkeeren.. .Ik hoop dat U in staat zult zijn mijn wensch te verwezentlijken; ik stel ook genoeg vertrouwen in U dat ge dat doen zult als ge kunt. Met de meeste angst Uw brief te wachten, blijf ik' - tt G.H. Breitner.
In Breitner's letter to A.P. van Stolk from Paris, 5 Juin, 1884; as cited in Breitner en Parijs – master-thesis 9928758 https://dspace.library.uu.nl/handle/1874/8382, by Jacobine Wieringa, Faculty of Humanities Theses, Utrecht, p. 16
before 1890