“After lengthy struggles I now find myself here [Dr Kohnstamm's sanatorium in Königstein, in Taunus] for a time to put my mind into some kind of order. It is a terribly difficult thing, of course, to be among strangers so much of the day. But perhaps I'll be able to see and create something new. For the time being, I would like more peace and absolute seclusion. Of course, I long more and more for my work and my studio. Theories may be all very well for keeping a spiritual balance, but they are grey and shadowy compared with work and life.”

— Ernst Ludwig Kirchner

Letter from Königstein, Taunus to Dr. Karl Hagemann, January 1916 (friend and patron in Leverkusen and collector of his art); as quoted in the biography-pdf http://www.kirchnermuseum.ch/data/media/downloads/Biography.pdf of the Kirchner museum, Davos <br class="br">Kirchner suffered then a serious mental breakdown and was also afraid for being drafted once more in the German army, so back in the war <br class="br">1916 - 1919

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Ernst Ludwig Kirchner54

German painter, sculptor, engraver and printmaker 1880–1938

Joan Mitchell (1925–1992) American painter

Tape number two, side A
1975 - 1992, Oral history interview with Joan Mitchell, 1986

“The more I examined my emotions, the more I was able to put that in my writing. I wanted to concentrate more on human emotions and internal feelings in the characters, inasmuch as I could in an animated cartoon show—ostensibly one for a young audience. There were times when I felt I couldn’t put the depth of feeling that I wanted to in the cartoons at that time, because it’s for kids and you have to keep it kind of upbeat. But I did it where I could. And I put it in my other work as well, when I was writing things like comics and screenplays.”

Paul Dini (1957) writer

Harley Quinn co-creator Paul Dini discusses how Batman helped him heal https://www.dailydot.com/parsec/paul-dini-batman-dark-night-harley-quinn-interview/ (June 21, 2016)

“.. I am so often showing my work in Germany that I belong to the German moderns... I openly want to confess you that I don't value the new painting in my home country very much. That is why I don't have a lot of acquaintances among the painters. Everything here is so little progressive. People's life is to easy here. It is very difficult to keep wide-awake since all are sleeping here. I feel much more at home in Germany.”

Jacoba van Heemskerck (1876–1923) Dutch painter

translation from Dutch, Fons Heijnsbroek, 2018
version in Dutch / citaat van Jacoba van Heemskerck, in het Nederlands vertaald: ..ik ben zo vaak met mijn werk in Duitsland dat ik helemaal tot de Duitse modernen behoor.. .Ik wil u openlijk bekennen dat ik de nieuwe schilderkunst in mijn vaderland niet erg hoog aansla. Daarom heb ik ook niet erg veel kennissen onder de schilders. Alles is hier zo weinig vooruitstrevend. De mensen herbben het veel te goed. Het is erg moeilijk wakker te blijven aangezien allen hier slapen. In Duitsland voel ik me veel meer thuis.
Quote of Jacoba van Heemskerck, in a letter of June 1921 to prof de:Hans Hildebrandt, Stuttgart Germany; as cited in Jacoba van Heemskerck van Beest, 1876 – 1923: schilderes uit roeping, A. H. Huussen jr. (ed. Marleen Blokhuis), (ISBN: 90-400-9064-5Waanders, Zwolle, 2005, p. 179
1920's

“Politically I am neither left nor right! And this kind of political-ethical standpoint-- being in the middle-- usually brings about seclusion and isolation! But now I do not mind it anymore and, instead, I work more and more in my self-made solitude!”

Javad Alizadeh (1953) cartoonist, journalist and humorist

Quoted in "About me" in his 4D Humor website http://javad.8m.com/about.html

“I sat down and leaned on my elbows. I thought of myself. Where was I now after all this? What was I going to do in life? I did not know. I would look about and would surely find something.
So, sitting there, I quietly indulged in hopes. I must have no more sadness, no more anguish and fever. If the rest of my life was to pass in calm, in peace, I must go far, far away from all those awful serious things, the sight of which was terrible to bear.”

Henri Barbusse (1873–1935) French novelist

The Inferno (1917), Ch. XV

“In the course of my inquiries, I met with the work upon the Trinity, by Dr. Samuel Clarke. This I carefully examined, and although very far from being satisfied, I ceased from further inquiry. This change arose probably from my having acquired the much more valuable work of the same author, on the Being and Attributes of God. This I studied, and felt that its doctrine was much more intelligible and satisfactory than that of the former work. I may now state, as the result of a long life spent in studying the works of the Creator, that I am satisfied they afford far more satisfactory and more convincing proofs of the existence of a supreme Being than any evidence transmitted through human testimony can possibly supply.”

Charles Babbage Passages from the life of a philosopher

"Passages from the life of a philosopher", The Athanasian Creed , p. 403
Passages from the Life of a Philosopher (1864)

“I have read a great deal now on the neurological side and much on the anthropological side and on the philosophical side and we have had all these discussions and all the time I have the feeling that something may break. I mean that some little light at the end of the tunnel may be sensed or some flash of insight may come. I of course know very well that there is no guarantee it will come, but I have already got myself into this state of expectancy that something will come to my imagination which has some germ of truth about it in this most difficult field. ”

John C. Eccles (1903–1997) Australian neurophysioloigst

Source: The Self and Its Brain (1977), p. 467

“I really wanted to retire and rest and spend more time with my children, my grandchildren and of course with my wife. But the problems are such that for anybody with a conscience who can use whatever influence he may have to try to bring about peace, it's difficult to say no.”

Nelson Mandela (1918–2013) President of South Africa, anti-apartheid activist

On why he continues to be active in social and political issues.
2000s, Newsweek interview (2002)

“I'd like you [Theo] to spend some time here, you'd feel it — after some time your vision changes, you see with a more Japanese eye, you feel colour differently. I'm also convinced that it's precisely through a long stay here that I'll bring out my personality. The Japanese [like a. o. Hokusai, admired by Vincent] draws quickly, very quickly, like a flash of lightning, because his nerves are finer, his feeling simpler. I've been here [Arles] only a few months but — tell me, in Paris would I have drawn in an hour the drawing of the boats?... Now this [sketch] was done without measuring, letting the pen go. So I tell myself that gradually the expenses will be balanced by work.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

In a letter to brother Theo, from Arles, c. 5 June 1888, in 'Van Gogh's Letters', letter 620 http://vangoghletters.org/vg/letters/let620/letter.html, Van Goghmuseum <br class="br">The Japanese artists with their colored woodblock-prints meant a great inspirations for several Paris' artists - they were extremely important for Vincent, these years <br class="br">1880s, 1888

“I like to imagine that, on the day after my last, my library and I will crumble together, so that even when I am no more I'll still be with my books.”

Alberto Manguel (1948) writer

Source: The Library at Night

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Ernst Ludwig Kirchner54

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