“I don't want you to become sad, I still live somewhere else, where you can't see me and can't hear me, but I will see you and know how you are. And I will wait for you until you come to me. Everybody has his time and will move sometime.”

Source: Sixteen and Dying

We the People interview (1996)
Context: Traditionally the gaze was conceived as a way of fingering, of touching. The old Greeks spoke about looking as a way of sending out my psychopodia, my soul's limbs, to touch your face and establish a relationship between the two of us. This relationship was called vision. Then, after Galileo, the idea developed that the eyes are receptors into which light brings something from the outside, keeping you separate from me even when I look at you. People began to conceive of their eyes as some kind of camera obscura. In our age people conceive of their eyes and actually use them as if they were part of a machinery. They speak about interface. Anybody who says to me, "I want to have an interface with you," I say, "please go somewhere else, to a toilet or wherever you want, to a mirror." Anybody who says, "I want to communicate with you," I say, "Can't you talk? Can't you speak? Can't you recognize that there's a deep otherness between me and you, so deep that it would be offensive for me to be programmed in the same way you are."

La sombra del viento (The Shadow of the Wind) (2001)

Source: World Wrestling Federation (1984-1993), Royal Rumble (1993)

Lyla
Don't Believe the Truth (2005)

"Oh. Well, I'm through."
"Forlesen", Orbit 14 (1974), ed. Damon Knight, Reprinted in Gene Wolfe, Gene Wolfe's Book of Days (1981), Reprinted in Gene Wolfe, Castle of Days (1992), Reprinted in Gene Wolfe, The Best of Gene Wolfe (2009)
Fiction

Source: Closer

Love Lockdown
Lyrics, 808s & Heartbreak (2008)

Ballerina Girl.
Song lyrics, Dancing on the Ceiling (1986)