“The simultaneousness of states of mind in the work of art: that is the intoxicating aim of our art... In the pictorial description of the various states of mind of a leave-taking, perpendicular lines, undulating lines and as it were worn out, clinging here and there to silhouettes of empty bodies, may well express languidness and discouragement. Confused and trepidating lines, either straight or curved, mingled with the outlined hurried gestures of people calling to one another will express a sensation of chaotic excitement. On the other hand, horizontal lines, fleeting, rapid and jerky, brutally cutting in half lost profiles of faces or crumbling and rebounding fragments of landscape, will give the tumultuous feelings of the person going away.”

Source: 1912, Les exposants au public', 1912, pp. 47, 49

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "The simultaneousness of states of mind in the work of art: that is the intoxicating aim of our art... In the pictorial …" by Umberto Boccioni?
Umberto Boccioni photo
Umberto Boccioni 41
Italian painter and sculptor 1882–1916

Related quotes

Roger Joseph Boscovich photo

“But if some mind very different from ours were to look upon some property of some curved line as we do on the evenness of a straight line, he would not recognize as such the evenness of a straight line; nor would he arrange the elements of his geometry according to that very different system, and would investigate quite other relationships as I have suggested in my notes.
We fashion our geometry on the properties of a straight line because that seems to us to be the simplest of all. But really all lines that are continuous and of a uniform nature are just as simple as one another. Another kind of mind which might form an equally clear mental perception of some property of any one of these curves, as we do of the congruence of a straight line, might believe these curves to be the simplest of all, and from that property of these curves build up the elements of a very different geometry, referring all other curves to that one, just as we compare them to a straight line. Indeed, these minds, if they noticed and formed an extremely clear perception of some property of, say, the parabola, would not seek, as our geometers do, to rectify the parabola, they would endeavor, if one may coin the expression, to parabolify the straight line.”

Roger Joseph Boscovich (1711–1787) Croat-Italian physicist

"Boscovich's mathematics", an article by J. F. Scott, in the book Roger Joseph Boscovich (1961) edited by Lancelot Law Whyte.
"Transient pressure analysis in composite reservoirs" (1982) by Raymond W. K. Tang and William E. Brigham.
"Non-Newtonian Calculus" (1972) by Michael Grossman and Robert Katz.

Henry Adams photo
Antoni Gaudí photo

“The straight line belongs to Man. The curved line belongs to God.”

Antoni Gaudí (1852–1926) Catalan architect

The real author seems to be Pierre Albert-Birot https://books.google.com/books?id=3Ul51CwjUOcC&pg=PA290&dq=%22the+curved+line+that+belongs+let%27s+say+to+God+and+the+straight+line+that+belongs+to+man%22&hl=de&sa=X&redir_esc=y#v=onepage&q=%22the%20curved%20line%20that%20belongs%20let%27s%20say%20to%20God%20and%20the%20straight%20line%20that%20belongs%20to%20man%22&f=false.
Attributed

Joseph Beuys photo

“"As the crow flies"—a popular and picturesque expression to denote a straight line.”

William Henry Maule (1788–1858) British politician

Stokes v. Grissell (1854), 23 L. J. Rep. Part 7 (N. S.), Com. PL 144.

Piet Mondrian photo
Benjamin N. Cardozo photo

“Our course of advance … is neither a straight line nor a curve. It is a series of dots and dashes.”

Benjamin N. Cardozo (1870–1938) United States federal judge

Other writings, The Paradoxes of Legal Science (1928)
Context: Our course of advance... is neither a straight line nor a curve. It is a series of dots and dashes. Progress comes per saltum, by successive compromises between extremes, compromises often … between "positivism and idealism". The notion that a jurist can dispense with any consideration as to what the law ought to be arises from the fiction that the law is a complete and closed system, and that judges and jurists are mere automata to record its will or phonographs to pronounce its provisions.

Alex Grey photo
Fernand Léger photo

“Instead of opposing comic and tragic characters [as Molière and Shakespeare] and contrary scenic states, I organize the opposition of contrasting values, lines, and curves. I oppose curves to straight lines, flat surfaces to molded forms, pure local colors to nuances of gray. These initial plastic forms are either superimposed on objective elements or not, it makes no difference to me. There is only a question of variety.”

Fernand Léger (1881–1955) French painter

Quote from 'Notes on Contemporary Plastic Life', 'Kunstblatt', Berlin 1923; as quoted in The documents of 20th century art – Functions of Painting by Fernand Léger, in Thames and Hudson Ltd, London 1973, p. 25
Quotes of Fernand Leger, 1920's

Related topics