“I dare you to take me on
I dare you to show me your palms
I'm so bored of cowards who say they want (love)
Then they can't handle love”

IV, p. 29.
The Ship in the Desert (1875)
Context: I dared not dream she loved me. Nay,
Her love was proud; and pride is loth
To look with favor, own it fond
Of one the world loves not to-day …
No matter if she loved or no,
God knows I loved enough for both,
And knew her as you shall not know
Till you have known sweet death, and you
Have cross'd the dark; gone over to
The great majority beyond.

The House of Dust (1916 - 1917)

Angel Fire
Are You Listening? (2007)

We the People interview (1996)
Context: Traditionally the gaze was conceived as a way of fingering, of touching. The old Greeks spoke about looking as a way of sending out my psychopodia, my soul's limbs, to touch your face and establish a relationship between the two of us. This relationship was called vision. Then, after Galileo, the idea developed that the eyes are receptors into which light brings something from the outside, keeping you separate from me even when I look at you. People began to conceive of their eyes as some kind of camera obscura. In our age people conceive of their eyes and actually use them as if they were part of a machinery. They speak about interface. Anybody who says to me, "I want to have an interface with you," I say, "please go somewhere else, to a toilet or wherever you want, to a mirror." Anybody who says, "I want to communicate with you," I say, "Can't you talk? Can't you speak? Can't you recognize that there's a deep otherness between me and you, so deep that it would be offensive for me to be programmed in the same way you are."

Source: The Choice

Source: Midnight

Source: The Invitation

"On Monsieur's Departure" (February 1582).

Source: Redeeming Love