“If modern painters feel qualms about applying the term "masterpiece" to describe a work of capital importance, this is because it has come to convey a notion of perfection: a notion that leads to much confusion when applied to artists other than those who made perfection their ideal.”

As quoted in The Unknown Patton (1983) by Charles M. Province, p. 165

Wholeness and the Implicate Order (1980)
Context: The notion that all these fragments are separately existent is evidently an illusion, and this illusion cannot do other than lead to endless conflict and confusion. Indeed, the attempt to live according to the notion that the fragments are really separate is, in essence, what has led to the growing series of extremely urgent crises that is confronting us today. Thus, as is now well known, this way of life has brought about pollution, destruction of the balance of nature, over-population, world-wide economic and political disorder and the creation of an overall environment that is neither physically nor mentally healthy for most of the people who live in it. Individually there has developed a widespread feeling of helplessness and despair, in the face of what seems to be an overwhelming mass of disparate social forces, going beyond the control and even the comprehension of the human beings who are caught up in it.

Ode interview (2009)
Context: People like Thomas Aquinas would say we can't talk about God as a creator because we can only have in our heads the idea of a human creator and that can't apply to God. We can't even say that God exists because our notion of existence is too limited to apply to God. People were instructed to think about this in those terms.

Kant's Inaugural Dissertation (1770), Section II On The Distinction Between The Sensible And The Intelligible Generally

#happiness

Herzog on Herzog (2002)

Popolo d'Italia (14 July 1920) "The Artificer and the Material," quoted in Mussolini in the Making (1938) by Gaudens Megaro, p. 326
1920s

Napoleon : In His Own Words (1916)

Source: Art & Other Serious Matters, (1985), p. 51, "Inquest into Modernism"